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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

47 results from this resource . Displaying 21 to 40

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

the abbey's liberties, with red initials, late 13th century with later additions (ff. 4-15v; 205-247v). Numerous additions throughout and on quires added at the end regarding the abbey, often written in Gothic cursive, mid-13th to mid-15th century.Inscribed 'Clayton in S.

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

initials in blue or red enclosing foliate motifs on gold ground with foliate decoration extending into the margins (only in quires 'x' (ff. 65-72v), 'three dots' (ff. 97-104v) and the following one (ff. 105-112v)), or combined with bar borders ending

of book 35 of Gregory the Great's Moralia in Job. Quires are marked "correctus" in lower margin of the last leaf near the gutter (see e.g. ff. 125v, 137v, 149v, 161v, 173v, 185v, 197v, 207v, 219v, 231v, 243v, 255v, 267v,

1), the Adoration of the Magi (f. 35)). Initials in gold with blue an/ord red pen-flourishing, replaced for a few quires by initials in gold on a blue and red ground, with a yellow outer frame (ff. 49-72v only). Smaller

aid in the lower margin of f. 3 stating the number of quires. Original foliation in Arabic numerals the lower margin.Catchwords written horizontally.f. 1* is a parchment flyleaf. Puzzle initials in red and blue with pen-flourishing in the same colours

43, 44, and part of f. 65 has been excised.Inscription at the end stating the number of folios and quires (f. 65).ff. 1* and 66 are former pastedowns. Puzzle initials in red and blue with pen-flourishing in both colours extending

Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red

Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red

the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1

from a 12th-century manuscript with musical notation, on four-line red staves.Leaf signatures (i, ii, iii, iiii, v) in crayon in quires 1-2; remains of catchwords. 2 large puzzle initials in red and blue with pen-flourishing in both colours (f. 1).

faces (ff. 1*-2*,190-191v only). Coloured initials in alternating red and blue. Extended ascender on the first line in a few quires. Chronica maiora The Cistercian abbey of St Mary's, Jervaulx (Yorkshire), late-13th or early-14th century: inscribed 'liber jorevallis (ff. 11v,

ff. 70, 151 also only have gloss framing an empty space.All bifolios have been split into separate leaves so that quires can only be distinguished by catchwords and leaf signatures. Some leaves are significantly smaller (e.g., ff. 125-126).Parts of the

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 June 2024), https://www.manuscriptsonline.org/search/results?ft=t&kw=quires&sdf=1250&sdt=1280&st=20