• Detail of a miniature of the Greek and Trojan armies., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• Detail of a miniature of the murder of Achilles., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• Detail of a miniature of the theft of the Palladium., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• null, Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• null, Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Trinitarian diagram with the tetragrammaton in chapter 6 ('De Trinitate') of Petrus Alfonsi's 'Dialogus contra Judaeos'., Dialogus contra Judaeos

Judaeos'. Running headers (ff. 1-17); catchwords (1 word respectively); quire signatures (on the first leaf of quires, near the gutter).Ampersands. 1 diagram in red and brown, with a yellow wash (f. 53v). Numerous large initials in red or green. Simple

• Illuminated initial 'P'(ropositum) at the beginning of Boethius's translation of Aristotle's Topica., Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Flourished initial 'P'(ost) at the beginning of Book 8 of Boethius's translation of Aristotle's Topica., Translation of Aristotle's Topica, with glosses

blue flourishing or blue with red flourishing (purple with red on f. 47). Paraphs alternately blue or red except in quires iv-v (ff. 37-60) where they are purple or red. Translation of Aristotle's Topica, with glosses Unidentified medieval owners: with

• Miniature of Prudence writing at a desk, with pupils sitting in front of her, and a foliate initial 'C'(es), at the beginning of the rubric 'De la vertu de prudence'., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu datrempance', and a miniature of a personification of Fortitude holding a disk with a lion, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu de force'., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Miniature divided in two compartments: 1. Moses receiving the tablets of the law from God and Moses breaking the tablets of the law; and 2. The worship of the golden calf; with two foliate initials 'L'(e premier) and 'C'(hoses), at the beginning of the text of La somme le roi., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature divided in two compartments: 1. Moses receiving the tablets of the law from God and Moses breaking the tablets of the law; and 2. The worship of the golden calf, at the beginning of the text of La somme le roi., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature of Prudence writing at a desk, with pupils sitting in front of her., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature of a personification of Fortitude holding a disk with a lion., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Detail of a miniature of the Seven-headed beast trampling on a saint., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Miniature of the Seven-headed beast trampling on a saint., La somme le roi, with Gospels and the Complainte de Notre Dame

Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23

• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

two fighting men, at the beginning of the prologue. Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,