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Golden Legend, which includes a mention of the Parisian libraire Richard de Montbaston (Paris, Bibliothèque Nationale de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23
although there is apparently no gap in the text (quire 8+1, ff. 79-87v, the last leaf added).The last quires by another scribe, illuminated with small initials in plain red (ff. 218-243v).ff. 1v-2v contains a medieval table of contents.f. 246 is
although there is apparently no gap in the text (quire 8+1, ff. 79-87v, the last leaf added).The last quires by another scribe, illuminated with small initials in plain red (ff. 218-243v).ff. 1v-2v contains a medieval table of contents.f. 246 is
initials in blue or red enclosing foliate motifs on gold ground with foliate decoration extending into the margins (only in quires 'x' (ff. 65-72v), 'three dots' (ff. 97-104v) and the following one (ff. 105-112v)), or combined with bar borders ending
of book 35 of Gregory the Great's Moralia in Job. Quires are marked "correctus" in lower margin of the last leaf near the gutter (see e.g. ff. 125v, 137v, 149v, 161v, 173v, 185v, 197v, 207v, 219v, 231v, 243v, 255v, 267v,
page. All quires have been thoroughly corrected and marked 'correctus' in lower margin of the last leaf, near the fore-edge (see, e.g., ff. 12v, 24v, 48v or 60v). One or more leaves lost before f. 1, including the beginning of
1), the Adoration of the Magi (f. 35)). Initials in gold with blue an/ord red pen-flourishing, replaced for a few quires by initials in gold on a blue and red ground, with a yellow outer frame (ff. 49-72v only). Smaller
the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].' Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,
aid in the lower margin of f. 3 stating the number of quires. Original foliation in Arabic numerals the lower margin.Catchwords written horizontally.f. 1* is a parchment flyleaf. Puzzle initials in red and blue with pen-flourishing in the same colours
43, 44, and part of f. 65 has been excised.Inscription at the end stating the number of folios and quires (f. 65).ff. 1* and 66 are former pastedowns. Puzzle initials in red and blue with pen-flourishing in both colours extending
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following