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British Library Catalogue of Illuminated Manuscripts
Judaeos'. Running headers (ff. 1-17); catchwords (1 word respectively); quire signatures (on the first leaf of quires, near the gutter).Ampersands. 1 diagram in red and brown, with a yellow wash (f. 53v). Numerous large initials in red or green. Simple
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
- Detail: pen-flourishing inhabited by a lion., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')
visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,
torso and a rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate