• Detail of a miniature of Clodomire, Childebert, Theodoric, and Clothaire., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Miniature of Pope John before Theodoric and Justin., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Detail of a miniature of Pope John before Theodoric and Justin., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Miniature of Justinian sleeping, his head in Antonia's lap, shaded by an eagle, with a foliate initial 'E'(n), at the beginning of chapter 2 of book 2., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Miniature of the death of Amaury., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Detail of a miniature of the death of Amaury., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Detail of a miniature of the Greek and Trojan armies., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• Detail of a miniature of the murder of Achilles., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• Detail of a miniature of the theft of the Palladium., Historia destructionis Troiae in a French translation

with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription listing the number of quires (12,5) and miniatures (35): 'en cest livre sont xii caiers et demy et xxxv histoirez', 15th century (f. 100v).The

• Historiated initial 'L'(egendas) of Guido de Castris as a Benedictine abbot with a book and crosier, with a partial border containing two fighting men, at the beginning of the prologue., Sanctilogium

two fighting men, at the beginning of the prologue. Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Text page with the explicit of Guido de Castris's Sanctilogium., Sanctilogium

Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate

• Illuminated initial 'A'(dventus) at the beginning of book 14., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Illuminated initial 'P'(rima) at the beginning of book 11., Sanctilogium

bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men, at the beginning of the prologue (f. 2). Foliate initials

• Inscription recording that the manuscript was given by John Whethamstede, abbot of St. Albans to the priory of Redburn, reading, 'Hunc librum providit venerabilis / pater dompnus Ioh[ann]es Wheth[a]mstede / abbas monasterii s[an]c[t]i Albani sacre theo/logie professor prioratui Redburne et / monachis ibidem cursum capientib[us]/ quem qui alienaverit anathema sit'; with the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].', Sanctilogium

the title 'Sacrilogiu[m] guidonis abb[at]is sive / speculu[m] leganda[rum].' Catchwords, bifolium signatures, and correction signs at the end of the quires. 1 historiated initial in colours and gold of the author portrait, with a partial border containing two fighting men,

• Puzzle initial 'I' (n primordio) with pen-flourishing (including 'J-border') at the beginning of the text. Ownership inscription cut out in the lower margin (possibly of Lord William Howard)., Historical chronicle (until 1258)

Puzzle initial 'I' (n primordio) with pen-flourishing (including 'J-border') at the beginning of the text. Ownership inscription cut out in the lower margin (possibly of Lord William Howard). Includes a table of contents (ff. 1-6), lists of Roman dioceses

• Diagram charting rainfall., Commentary on Cicero's De somno Scipionis

the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink (ff.

• Diagram of a mappa mundi., Commentary on Cicero's De somno Scipionis

(on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in the manuscript (f. 37). 7 diagrams or maps in brown ink

• Decorated initial 'O'(mnipotens) combined with a partial border with acanthus leaves, flowers and foliate feathering at the beginning of a prayer to God the Father., Prayer book

at the beginning of a prayer to God the Father. ff. 1-6v and ff. 51-56v are quires from the sanctoral of an English 14th-century liturgical manuscript (255 x 170 (195 x 135), in 2 columns), with coloured initials in red