• Decorated initial 'M'(anchante) with foliate decoration including acanthus leaves extending into the margin at the beginning of the text., Filocolo (imperfect)

into the margin at the beginning of the text. Catchwords. Quires numbered on the recto of the 1st and verso of the last folio. Leaf signatures.Gap after f. 150.Watermark of scissors (ff. [150b-d]), similar to C. M. Briquet, ~Les Filigranes:

• Pen-flourished initial 'H'(ora est)., Sermons (Sermones dominicales), with a table of sermons listed alphabetically by subject (ff. 191-194), imperfect at the beginning and the end

a parchment flyleaf.According to the Harley Catalogue, several quires are missing at the end. Large initials in red with brown pen-flourishing. Plain initials in red. Rubrics in red. Paraphs in red. Capitals marked in red. Sermons (Sermones dominicales), with a

• Detail of a partial foliate border with a coat of arms., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

arms. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the

• Detail: initial-word panel decorated with a mask and pen-flourishing inhabited by a deer., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

a deer. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of

• Detail: marginal drawing of a rabbit., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,

• Decorated initial-word panel accompanied by partial foliate border, at the beginning of Leviticus., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

of Leviticus. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of

• Initial-word panel formed as a castle., ~Baal ha-Lashon~ (The Master of the Language)

the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side are distinguishable. Ruling is visible. Numerous initial-word panels with

• Initial-word panel formed as a castle, with a male bust and a hare in the margin., ~Baal ha-Lashon~ (The Master of the Language)

3 unfoliated blank leaves at the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side are distinguishable. Ruling is

• Miniature of the Annunciation, decorated initial 'D'(omine) enclosing the coat of arms of Beatrice de la Porte, wife of Gilles de Tournemine, and foliate borders including a peacock, at the beginning of the Hours of the Virgin., Book of Hours, Use of Nantes

of Christ (ff. 62, 67, 71, 74v, 78, 83, 161, 167, 171v, 176, 180, 184v); 2 smaller miniatures probably excised: quires with Prime in the Hours of the Virgin and the Hours of the Holy Cross lost after f. 61.

• Miniature of Christ nailed to the cross, followed by a decorated initial 'D'(eus) and foliate borders on verso, at the beginning of Sext in the Hours of the Passion of Christ., Book of Hours, Use of Nantes

of Christ (ff. 62, 67, 71, 74v, 78, 83, 161, 167, 171v, 176, 180, 184v); 2 smaller miniatures probably excised: quires with Prime in the Hours of the Virgin and the Hours of the Holy Cross lost after f. 61.

• Plain initial 'C'(ogitanti) at the beginning of the text., De oratore

Plain initial 'C'(ogitanti) at the beginning of the text. ff. 17-24 are bound in the wrong order. Catchwords written horizontally. Quire marks (Roman numerals in the centre of the lower margin of the verso of the last leaf of

• Text page with a note by the scribe Lupus of Ferrières in the lower margin, signalling a missing quire., De oratore

Text page with a note by the scribe Lupus of Ferrières in the lower margin, signalling a missing quire. ff. 17-24 are bound in the wrong order. Catchwords written horizontally. Quire marks (Roman numerals in the centre of the

• Initial 'I'(ncaustum) with penwork decoration at the beginning of the chapter on ink in book 1 of Theophilus' De diversis artibus., De diversis artibus and other texts including De Unguentis, recipes and extracts from the Liber de Coloribus and the Mappae Clavicula

diversis artibus. Quire marks (in the centre of the lower margin of the verso of the last leaf of quires 1-13). One leaf missing between ff. 102-103, another between ff. 110-111, and another between ff. 149-150. Large and smaller initials

• Historiated initial 'S'(alvum) with David in the water praying to God at the beginning of Psalm 68., Psalter

erased. Possibly one leaf lost between ff. 8-9 (the original Beatus initial is missing here but the first and second quires are regular quarternions; the initial might have been executed on a separate leaf that is now lost), 1 leaf

• Initial 'B'(aldricus) with foliate motifs, a winged dragon, and clasps at the beginning of Baudri de Bourgueil's 'Historia Hierosolymitana'., Historia Peregrinationis Ierosolimitane

e-caudata.Quire marks (in ink in the centre of the lower margin of the verso of the last leaf of the quires); 1 quire signature (in crayon in the centre of the lower margin of f. 25).ff. 163v and 164 are

• White vine historiated initial 'O'(rigo) with the head of emperor Hadrian (inscribed 'ADRIANUS') combined with a partial white vine border, including a grasshopper, two birds and a wreath supported by two putti enclosing the arms of Ludovicus Petronius., Historia augusta

enclosing the arms of Ludovicus Petronius. Catchwords written vertically.Some damaged illegible folios.The central and flanking bifolia of one of the quires is stained, as if possibly an inlay had been removed (?) (ff. 101v-102, 103v-104, 105v-106). Large white vine historiated

• Detail of pen drawings of a male bust and a hare in the margin., ~Baal ha-Lashon~ (The Master of the Language)

unfoliated blank leaves at the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side are distinguishable. Ruling is visible.

• Initial-word panel with pen-flourishing and a medallion formed by foliate motifs: a rooster holding a piece of wheat with a snake coiling on it in its beak, and above the rooster, there is a moon and a hexagram; probably the emblem of the patron., ~Baal ha-Lashon~ (The Master of the Language)

emblem of the patron. 3 unfoliated blank leaves at the end ff. [287]-[289]. Six unfoliated blank leaves after f. 2. Quires are numbered with Hebrew characters starting with alef on f. 13v until f. 163v. Flesh side and hair side

• Multiplication table for 1 through 10, framed by four fish, a circle and three dogs chasing a hare, between chapters 26 and 27 of book 1 of Boethius' 'De institutione arithmetica'., De institutione arithmetica

'De institutione arithmetica'. Quire marks (in the centre of the lower margin of the verso of the last leaf of quires 1-8); quire signature (in the centre of the lower margin of the recto of the first leaf of the

• Initial 'P'(ost) with reserved designs and penwork decoration at the beginning of Arnold of Bonneval's 'De sex verbis Domini in cruce'; the final design differs from the underdrawing in crayon., De operibus sex dierum (ff. 1-30); De sex verbis Domini in cruce (ff. 31-49v); Sermons (ff. 49v-53)

in crayon. Quire marks (in the centre of the lower margin of the verso of the last leaf of the quires) and catchwords (ff. 38v, 46v). 1 large initial in red and blue on a light brown ground, with penwork