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V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
the abbey's liberties, with red initials, late 13th century with later additions (ff. 4-15v; 205-247v). Numerous additions throughout and on quires added at the end regarding the abbey, often written in Gothic cursive, mid-13th to mid-15th century.Inscribed 'Clayton in S.
of book 35 of Gregory the Great's Moralia in Job. Quires are marked "correctus" in lower margin of the last leaf near the gutter (see e.g. ff. 125v, 137v, 149v, 161v, 173v, 185v, 197v, 207v, 219v, 231v, 243v, 255v, 267v,
1), the Adoration of the Magi (f. 35)). Initials in gold with blue an/ord red pen-flourishing, replaced for a few quires by initials in gold on a blue and red ground, with a yellow outer frame (ff. 49-72v only). Smaller
43, 44, and part of f. 65 has been excised.Inscription at the end stating the number of folios and quires (f. 65).ff. 1* and 66 are former pastedowns. Puzzle initials in red and blue with pen-flourishing in both colours extending
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
Goffredus Tranensis's Summa super titulis Decretalium. Most quires have on their last verso a count of the number of paraphs in the quire, e.g. 'cxxii' (f. 13v), 'c' (f. 24v), 'cxx' (f. 37v), etc. 5 large puzzle initials in red
the last leaf of the quire); leaf signatures (on the recto of the leaves of the first half of some quires: 'I'-'iiii'); catchwords.f. 1 is a medieval parchment flyleaf; remains of a lost parchment flyleaf is pasted on f. 1
from a 12th-century manuscript with musical notation, on four-line red staves.Leaf signatures (i, ii, iii, iiii, v) in crayon in quires 1-2; remains of catchwords. 2 large puzzle initials in red and blue with pen-flourishing in both colours (f. 1).
ff. 70, 151 also only have gloss framing an empty space.All bifolios have been split into separate leaves so that quires can only be distinguished by catchwords and leaf signatures. Some leaves are significantly smaller (e.g., ff. 125-126).Parts of the
Coloured initial 'Q'(uid) at the beginning of Psalm 51. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled
Coloured initial 'B'(eatus) with display script, at the beginning of Psalm 1, with the pressmark of Christ Church, Canterbury 'r', and ownership inscriptions of Thomas Cranmer and Lord Lumley. Includes a 'Psalter romanum', with marginal glosses in Latin and
and 77 are former pastedowns. ff. 71v-[73a] are ruled leaves originally unwritten. ff. 1-3v and ff. 74-77 are medieval parchment quires with later additions. Catchwords written horizontally. Leaf signatures. Large puzzle initial in red and blue with pen-flourishing in red