• Illuminated initial 'S'(elon), with a full border including an added white rose of York and the closed fetterlock in the lower border., La cité des dames

née Cecily Neville], duchess ofYork (b. 1415, d. 1495), Yorkist matriarch, and/or her husband RichardofYork, 3rd duke ofYork (b. 1411, d.1460), regent of France in 1436 and 1441-1445: includes the Yorkists badges of the white rose

• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The

• Puzzle initial 'D'(e) with penwork decoration of leaves., In unum ex quatuor, with capitula and tables (ff. 3v-13v) and prefaces, table of lessons (ff. 190-191v), and glossary of names (ff. 191v-194)

d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly

• Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials

• MS Part One: Medieval Manuscripts from the Sloane and Additional Manuscripts, Section A 24,203 British Library, London 160 images.

of the XIVth cent. Much injured by the application of an extract of galls to bring out the writing. On f. 22 b is an acknowledgment of a debt from Robert Barkynburyo, of Langton, to Richard Enggersoun, ofYork,

• Middle of xv. cent MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37790 British Library, London 241 images.

friar minor, "frere Johan of Querayum," a Cistercian, "daun Franke, chauntour of the abbay of Viliers [Villers, dioe. Liège]," and a doctor of divinity, "maister Godfrey of Fountaynes." The last is possibly Godefroi de Fontaines, chancellor of Paris in 1280.

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 39943 British Library, London 167 images.

of ch. xxv, beg. of ch. xxviii, ends of chs. xxxi, xxxv (with rubric to xxxvi), xxxvi (with rubric to xxxvii), beg. of ch. xli, whole of ch. xliii, end of ch. xlv. f. 7 b: (5) (5) Account

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 30,031 British Library, London 115 images.

Description MIRROR of the Life of Christ: translated from the Speculum vite Christi of St. Bonaventura by Nicholas Love, prior of the Carthusian monastery of Mount Grace, co. York. The preface is headed, "Here bigynneþ þe prohemie of þe book

• MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 33,736 British Library, London 13 images.

a Latin elegiac poem in praise of Henry VII. and in celebration of the birth of Prince Arthur in 1486, by Peter Carmelianus of Brescia, afterwards Chaplain and Latin Secretary to the King, Archdeacon of Gloucester, etc. (Gr. x.) Vellum;