• Miniature of the basin, the table, the table of showbread, plates and dishes for incense, the musical instruments and the cleansing instruments, with captions in Ashkenazi square script., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Detail of a page: drawing of the Sacrifice of Isaac, with captions in Ashkenazi square script. Isaac is kneeling on the altar, Abraham is lifting the knife, but an angel prevents him from hurting his son by grabbing his knife. The same angel points to the ram caught in a bush on the left. Beneath, at the foot of the mountain, the two servants, the donkey and a dog are resting in a field., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field., Commentary on the Pentateuch

Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On

• Detail of a full page drawing of the Sacrifice of Isaac, with captions in Ashkenazi square script. Isaac is kneeling on the altar, Abraham is lifting the knife, but an angel prevents him from hurting his son by grabbing his knife. The same angel points to the ram caught in a bush on the left., Commentary on the Pentateuch

Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,

• Detail of a page: the Ark of the Covenant with the cherubim., Commentary on the Pentateuch

Detail of a page: the Ark of the Covenant with the cherubim. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of

• Detail of a page: Temple implements., Commentary on the Pentateuch

Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.

• Detail of a page: Temple implements., Commentary on the Pentateuch

Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.

• Miniature of the author, Thomas Hoccleve, presenting the book to prince Henry, with a partial border containing the arms of William FitzAlan, earl of Arundel, and a foliate initial 'H'(ye)., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Marginal miniature of Geoffrey Chaucer pointing the text, with a caption reading 'Chauceris ymago'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Illumianted initial ‘I'(n), with a partial bar border, and an added drawing of two interlaced gloves., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Text page., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of a miniature of the author, Thomas Hoccleve, presenting the book to prince Henry., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of a marginal miniature of Geoffrey Chaucer pointing the text, with a caption reading 'Chauceris ymago'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Illuminated initial 'T'(o) with a partial bar and foliate border., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of an added drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Text page with coloured initials and a partial bar border., The Regement of Princes, with other poems

impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,

• Detail of a miniature of David pointing to his mouth, and illuminated initial 'D'(ixi), at the beginning of Psalm 38., Psalter, in the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur)

Detail of a miniature of David pointing to his mouth, and illuminated initial 'D'(ixi), at the beginning of Psalm 38. The manuscript bears references to the work of the Limbourg brothers, e.g., the Martyrdom of Mark (f. 282v) copies the

• Decorated and illuminated initials., Canterbury Tales, imperfectly

Shatt' (f. 130).Thomazine Stourton, wife of William (d. 1523), 5th Baron Stourton: inscription 'Tomysin, Lady Stourton' (ff. 54, 78, 116).Inscription, 16th century: 'George Roceter' (f. 140). Members of the Worth family: entries of the births of 'Morryse Worthe ... 1564',

• Decorated and illuminated initials., Canterbury Tales, imperfectly

Shatt' (f. 130).Thomazine Stourton, wife of William (d. 1523), 5th Baron Stourton: inscription 'Tomysin, Lady Stourton' (ff. 54, 78, 116).Inscription, 16th century: 'George Roceter' (f. 140). Members of the Worth family: entries of the births of 'Morryse Worthe ... 1564',