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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1393 results from this resource . Displaying 61 to 80

£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Crucifixion Richard Franciscus Ricardus Franciscus Master of Sir John

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Entombment of Christ Richard Franciscus Ricardus Franciscus Master of Sir

£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Presentation Richard Franciscus Ricardus Franciscus Master of Sir John

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

beginning of the Hours of the Passion of the Virgin. 1 full-page miniature with full foliate borders, accompanied by a large decorated initial and a full foliate border on the facing page, at the beginning of the Hours of the

at the beginning of the Hours of the Passion of the Virgin (ff. 2v-3). 1 full-page miniature, framed by flowers, at the beginning of a prayer, misbound, the corresponding text missing (f. 62); 2 other miniatures of the same size

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

connection to printed books of hours (borders in the calendar constituted of small images; backgrounds of small miniatures covered by little points like criblée grounds in printed books) refer to Paris, where patterns of artists of the Loire Valley, especially

Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl

Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl

Richard Plantagenet Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl

Miniature of Duke Richard III attacking the castle of Falais which his brother Robert had seized. In the background on the left, two men are playing chess under a tent; one of them is possibly Duke Robert. The clothing suggest

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

ownership inscription of Margam abbey, at the beginning of the Domesday book. Marginal sketches, 16th century, of letters and ornamental elements (ff. 24, 35, 36, 56v, 59v), of a symbolic figure held by two hands (ff. 32v, 53v), of animals

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

Thomas Gale (b. 1635 or 1646, d. 1702), dean ofYork and antiquary.? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician: inscribed, 'Tho. Surrey(?)' (f.

Sotheby's, 16 November 1925, lot 116). 2 montages composed of borders in colours and gold, of grotesques, the arms of Clement VII and inscriptions (ff. 66a-c), and of the Medici device of a diamond ring with three feathers and motto

Sotheby's, 16 November 1925, lot 116). 2 montages composed of borders in colours and gold, of grotesques, the arms of Clement VII and inscriptions (ff. 66a-c), and of the Medici device of a diamond ring with three feathers and motto

A dismembered montage of a section of border of grotesques, and the Medici device of a diamond ring with three feathers and motto 'Semper', the arms of Clement VII (f. 69b; 40 x 135) and two plain panels (f. 69a,

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 5 July 2024), https://www.manuscriptsonline.org/search/results?ft=t&kw=richard%20of%20york&sdf=1439&sdt=1470&sr=ci&st=60