• Carrying case, covered with leather, coloured green and gold, with floral decoration, and initials 'P' and 'M', for Pierre Sala and Marguerite Builloud, formed out of crossed compasses or staves., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Carrying case., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Text pages., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Text page., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Miniature of a blind man's bluff, in Pierre Sala's Petit Livre d'Amour., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Miniature of a table with a candlestick., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Miniature of a man and a woman playing bagpipes., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Miniature of a woman with a crutch, and a man with a bell., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Miniature of two men engaged in carpentry., Petit Livre d'Amour

of Abrantes: attached to the cover at the end is an extract from a sale-catalogue, which states that the manuscript was formerly in his possession (f. 35). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Detail of a portrait of Pierre Sala, at the end of his Petit Livre d'Amour., Petit Livre d'Amour

Detail of a portrait of Pierre Sala, at the end of his Petit Livre d'Amour. A transcription of the content has been added later on paper (ff. 18-34), probably by Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839). 12 emblematical miniatures (ff.

• Illuminated initial and border with foliate decoration at the beginning of the Poor Caitiff., The Poor Caitif; with calendar (November and December missing) (ff. 2-6v); a moral treatise (f. 161r-161v)

(f. 161r-161v) Additional text of the rules for ascertaining the date of the moon's changes, and rhymes concerning Bentley of Cheveley, 16th century (ff. 1v, 158).f. 161 contains a brief fragment of the Oleum Effusum ofRichard Rolle.Denis Beke and

• Painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder., Prayer book, Italian rite

Painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder. Captions of the drawings are perhaps in

• Historiated initial-word panel, ~Bereshit~ (in the beginning), of the Original Sin, at the beginning of Genesis. Above the initial word, Adam and Eve are depicted under a tree holding apples, while the snake is rolled up on the trunk of the tree. Beneath the initial word, three dogs are chasing a hare., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Initial-word panel ~Elleh~ (these) decorated with floral border inhabited by birds, and with a medallion containing a coat of arms (of Joab Emmanuel), at the beginning of Exodus., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Initial-word panel decorated with floral border inhabited by birds, at the beginning of Numbers., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Initial-word panel ~Elleh~ (these) decorated with floral border inhabited by birds, and with a medallion containing Moses speaking to the people of Israel, at the beginning of Deuteronomy., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Decorated initial-word panels with pen-flourishing., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Coloured initials with pen-flourished decoration., Leaf from de Chauliac's 'Surgery' (index Chirurgia magna), Book VI, in English translation (originally ff. 107-107v in New York, Academy of Medicine, MS. 12, from which it was removed by John Bagford)

Coloured initials with pen-flourished decoration. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the

• Initial-word panel decorated with floral border inhabited by birds, at the beginning of Leviticus., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th

• Detail of a pge: historiated initial-word panel, ~Bereshit~ (in the beginning), of the Original Sin, at the beginning of Genesis. Above the initial word, Adam and Eve are depicted under a tree holding apples, while the snake is rolled up on the trunk of the tree., Pentateuch with Rashi's commentary and Targum Onkelos (ff. 1-310v); ~Haftarot~ with commentary (ff. 311-399v); Five Scrolls (~Hamesh megillot~, ff. 400-439)

the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th