• Miniature of the death of Alexander Lyncestes., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the enthroned Alexander giving orders to his generals., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Alexander directing sacrifices to the sun., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Cleander and others beheaded, Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Frontispiece with miniature of Vasco da Lucena presenting his translation to Charles the Bold., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the surrender of Celaenae., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Darius' letter being delivered., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Page of music on the verso of the folio., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Miniature of the Baptism of Christ, at the beginning of the second article of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,

• Decorated initial 'C'(onverte), and trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin., Book of Hours (begins imperfectly)

trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin. Contemporary sketch of the Virgin (blank leaf after f. 97).No calendar; Hours of the Virgin (f. 3) and Office of the Dead (f. 98) begin imperfect.

• Flourished initial 'U'(rhanus)., Cartulary of the Augustinian priory, Brinkburn, Northumbria, in eight capitula, imperfect

and landowner, of Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books

• Decorated initial 'O' with interlace decoration and partial foliate border., Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25)

red. Outlines of initials in blue and/or red (ff. 59v, 69). 5 decorated catchwords (ff. 73v, 81v, 89v, 97v, 105v). Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25) The Augustianian priory of Bradenstoke, Wiltshire,

• Miniature of the Trinity, at the beginning of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper' and the initials 'L. X. P. M.', measuring 440 x 45 mm. On the reverse the abbreviation 'e[m]'., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of a medallion with the Medici device of a yoke with a scroll inscribed 'Suave' and the letter 'N', measuring 435 x 50 mm (at left of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 430 x 50 mm (at centre of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper' and the initials 'L. X. P. M.', and below zoomorphic foliage, measuring 430 x 50 mm (at right of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.