• Decorated and coloured initials., Cartulary of the Cistercian abbey of Byland, imperfect

Cartulary of the Cistercian abbey of Byland, imperfect The latest document is dated 1393 and Richard II is described as 'rex ultimus', suggesting a terminus ante quem of 1413 (f. 92v). Burton 2004 p. xxvii argues that the absence of

• Historiated initial 'H'(ere) of the author presenting the book to an enthroned king, with a full border containing white and red roses, at the beginning of the list of contents., The Master of Game

beginning of the list of contents. Contains the Master of Game of Edward, 3nd duke ofYork (b. c.1373, d. 1415), dedicated to the prince of Wales, a translation of the Livre du chasse of Gaston Phébus, count of Foix,

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Historiated initital 'D' of the Prophet Zacharias, with his name inscribed on his halo., Cutting from an Antiphoner (index antiphonal; antiphonary)

2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same Antiphoner as the present cutting. 1 historiated initital 'D' in colours and gold, of the Prophet Zacharias.

• Miniature of the Baptism of Christ, at the beginning of the second article of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,

• Miniature of the Trinity, at the beginning of Jean le Meung's Sept articles de la foi., Les sept articles de la foi

Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central

• A section of foliate border of a medallion with the Medici device of a yoke with a scroll inscribed 'Suave' and the letter 'N', measuring 435 x 50 mm (at left of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 430 x 50 mm (at centre of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper' and the initials 'L. X. P. M.', and below zoomorphic foliage, measuring 430 x 50 mm (at right of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border with the initials 'L. X. P. M.', measuring 400 x 50 mm (at left of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper', a cherub and vase, measuring 400 x 40 mm (at centre of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and the motto 'Semper', measuring 415 x 40 mm (at right of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a yoke with a scroll inscribed 'Suave' and the letter 'N', measuring 420 x 45 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper' and the initials 'L. X. P. M.', measuring 410 x 50 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 420 x 45 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', a cherub and vase, measuring 415 x 50 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 430 x 50 mm., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 415 x 40 mm (at left of image)., Cuttings from Missals of Pope Leo X

lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.