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lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Initials Richard Dove of Buckfast, John Metham, and others England
and its proposed statutes, i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth ofYork and their children praying before the image of Anna and Joachim at the Golden Gate
and its proposed statutes, i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth ofYork and their children praying before the image of Anna and Joachim at the Golden Gate
and its proposed statutes, i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth ofYork and their children praying before the image of Anna and Joachim at the Golden Gate
possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.
possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.
possible as a New Year Gift for 1503, before the death of Elisabeth ofYork, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed 'De fortuna henrici principis Wallie' (f.
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old