• Drawing of a map of Jerusalem., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Genealogical diagram of the ancestors of Christ., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Detail of genealogical diagram of the ancestors of Christ., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Detail of genealogical diagram of the ancestors of Christ., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Miniature of knights on horseback, during the First Crusade., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Drawing of a map of Jerusalem., Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna

of universal history, from the creation of the world to the death of the Emperor Henry VII (d. 1314).Copy of Venice, Biblioteca Marciana, lat. Z 399, containing the canonization of Thomas Aquinas in 1323 (see Degenhart and Schmitt 1973).Bought by

• Historiated initial with an author portrait of a man holding a closed book at the beginning of Rasis's de aluminibus et salibus., Medical miscellany, including Gerald of Cremona' s translation of Rasis's Liber divisionum de aluminibus et salibus.

Historiated initial with an author portrait of a man holding a closed book at the beginning of Rasis's de aluminibus et salibus. Initials removed (e.g., original folio following f. 1; f. 9, 20). 1 historiated initial in colours with

• Detail of a miniature of several episodes from book IV of Virgil's Aeneid: on the right, the hunt during which Dido and Aeneas meet; on the left, Dido and Aeneas ride into a cave together, and in the middle of the image, Dido is on her funeral pyre, committing suicide after the departure of Aeneas.and decorated initial 'A'(t)., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

• Miniature illustrating book III of Virgil's Georgics, with shepherds in a landscape with sheep, goats, cattle, sheep-shearing, and milking., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

• A large miniature of Francesco Barbarigo being presented to the Virgin, a title piece inscribed, 'Nos Leonardus Dei Gratia Dux Venetiarum etc', and a full border with medallions of the winged Venetian lion and the arms of Francesco Barbarigo in a landscape., Commissione of the doge Leonardo Loredan to Francesco Barbarigo as ~podestà~ and captain of Feltre (index Commissione dogali)

the doge Leonardo Loredan to Francesco Barbarigo as ~podestà~ and captain of Feltre (index Commissione dogali) Leonardo Loredan, doge of Venice, inscribed, 'Data in nostro ducali palatio die xij Februarij indictionum (?)... M.D.XV' (with a notarial signature) (f. 21).Francisco Barbarigo,

• Detail of an illuminated white vine-stem initial 'Q'(uamquam), and display script in alternating colours in the style of Felice Feliciano of Verona, at the beginning of Cicero's De Imperio Cn. Pompei., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Detail of an illuminated white vine-stem border and initial 'C'(redo) of strapwork, at the beginning of Cicero's Pro Roscio Amerino., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Miniature in colours and gold, of female personifications of Justice and Peace kissing before another female figure holding a crown and two fronds, beneath a vision of God holding the terrestrial globe, within a border of gold scroll-work with the arms of the ?Bragadin family of Venice (azure a cross gules argent)., Leaf of a Doge's Commission (index commissione dogale) to a Venetian nobleman, possibly a member of the Bragadin family

?Bragadin family of Venice (azure a cross gules argent). Leaf of a Doge's Commission (index commissione dogale) to a Venetian nobleman, possibly a member of the Bragadin family ?A member of the noble Bragadin family of Venice in the last

• Miniature of Girolamo Zane giving a coin to a kneeling woman in a crowded hall; in a balcony above a woman holds a fish-spear, possibly personifying the Adriatic Sea (see Warner and Gilson 1921 p. 32) or, more probably, Venice (see Chambers 1983 p. 396), with Mark and his symbol of a lion., Giuramento (Commission and oath) of Girolomo (Hieronymus) Zane as Procurator de citra of Saint Mark, Venice

in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Distribution of alms Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)

• Opening page of Cicero's Philippic orations, with a decorated intial 'A'(ntequam), and an added illuminated foliate border and heraldry., Philippics

an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,

• null, Philippics

in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with

• null, Philippics

in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with

• Initial with foliate decoration., Psalter, imperfect, including Odes (ff. 219v-232v)

Mielke, 1974-1980), 'Chapeau' nos. 75-79 (Rome 1537; scribe Georgios Tryphon, 1548 and 1549; scribe Ioasaph 1547; scribe Andreas Darmarios at Venice, 1565). Headpieces with geometric or foliate decoration in red, effaced (ff. 115, 219). Decorated initials and titles in light

• Decorated intial 'I'(n) of interlaced white vines, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Miniature of Tommaso Giustinian kneeling before Anthony Abbot beneath the inscription "Cha /ri / tas', within a gold scroll-work border with the winged lion of Mark and the arms of the Giustinian family of Venice., Leaf of a Doge's Commission (index commissione dogale) from Marino Grimani to Tommaso Giustinian as capitano of Jadrae (Zara)

sale 31 May 1855, lot 2248 (f. 30v); purchased for £1 9s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Marino Grimani to Tommaso Giustinian Venice Italy, N. E. (Venice)