• Detail of an historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.

• Detail of an historiated initial 'D'(omine) with King David playing his harp, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.

• Detail of a scribal colophon, reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

(f. 15); colophon: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV' (f. 240).Abbate Canonici of Venice: his sale, 25 June 1836, lot 141. Walter Sneyd: his sale, December 1903, lot 556; bought by Yates Thompson.

• Abstract decorated headpiece., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• Interlaced bar and flourishes at top of text page., Plutus (ff. 1-76v); Nubes (ff. 77-171)

the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: The Paper Publications Society, 1968), no. 3378 (Venice, 1478 and 1479). Decorated headpieces. Large decorated initials. Plutus (ff. 1-76v); Nubes (ff. 77-171) The Minutoli-Tegrimi family, of Lucca,

• null, Satires (index Saturae, Satirae)(ff. 1-69v; ff. 70v-83)

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and

• null, Satires (index Saturae, Satirae)(ff. 1-69v; ff. 70v-83)

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and

• null, Satires (index Saturae, Satirae)(ff. 1-69v; ff. 70v-83)

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 37, col. 1; sold to King George III, along with the bulk of Smith's library and

• Decorated intial 'I'(n) of interlaced white vines, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Decorated initial 'O'(rba) made up of interlaced white vines , at the beginning of six lines from Ovid's Tristia (book i, part vii, lines 35-40)., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• null, Orationes

1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,

• null, Orationes

1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v, 137, 142v,

• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• Historiated initial 'E'(t) with an old man, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Historiated initial 'E'(t) with an old man, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part pen-flourished

• Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Possibly added foliate illuminated border with three roundels enclosing a bust and two armorial shields, at the beginning of Diogenes Laertius's De vitis philosophorum., De vitis philosophorum

Possibly added foliate illuminated border with three roundels enclosing a bust and two armorial shields, at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four

• Foliate headpiece with four roundels enclosing birds and busts at the beginning of Diogenes Laertius's De vitis philosophorum., De vitis philosophorum

Foliate headpiece with four roundels enclosing birds and busts at the beginning of Diogenes Laertius's De vitis philosophorum. ff. 137-144 are bound upside down and in reverse order. Red foliate headpiece with four roundels enclosing birds and busts, and

• null, Elegiae (index Elegies) (ff. 1-70); followed by two short texts (ff. 70-71)

Elegies) (ff. 1-70); followed by two short texts (ff. 70-71) Copied from the 1493 reprint of the 1487 Beroaldus edition (Venice, Simon Bevilaqua), according to Butrica.Jonathan Toup (b. 1713 d. 1785), philologer and classical editor: his sale, 10 May 1786,

• Decorated initial 'C'(um)., Orationes

Decorated initial 'C'(um). 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v,