• Illuminated initial 'Q'(ueruntur)and historiated initial 'O'(buertunt)., Bucolica (index Bucolics, Eclogues) (ff. 1-16v); Georgica (index Georgics) (ff. 16v-57v); Aeneis (index Aeneid) (ff. 57v-245); Appendix (ff. 245-263); Epitaphs (ff. 263-268)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated and historiated initials Cristoforo Cortese Virgil (index Virgilius; Vergilius; Vergil; P. Vergilius Maro) Padua Italy, N.E. (possibly Venice or Padua)

• Historiated initial 'P'(anditur) with a man wearing golden armour., Bucolica (index Bucolics, Eclogues) (ff. 1-16v); Georgica (index Georgics) (ff. 16v-57v); Aeneis (index Aeneid) (ff. 57v-245); Appendix (ff. 245-263); Epitaphs (ff. 263-268)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Historiated initial Cristoforo Cortese Virgil (index Virgilius; Vergilius; Vergil; P. Vergilius Maro) Padua Italy, N.E. (possibly Venice or Padua)

• White vine initial 'N'(on) and border. Added 17th-century ownership inscription by Antoninus Martius Medice in the lower margin., Various works including De nobilitate vera (ff. 2-29), a letter of Carlo Aretino to Poggio (ff. 33-35), etc.

1694: inscribed 'A Matteo Egyptio Neapolitano [...] millesimo sexcentesimo nonagesimo quarto [...]'. Inscribed with a reference to book published in Venice in 1569 (f. 35v).Added title-page drawn in ink with the arms of cardinal D. Gerardus to whom the book

• White vine initial 'M'(odus) in yellow on a blue ground., Various texts including Augistine's De musica (ff. 1-121)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)

• Detail of a white vine initial 'Q'(uid) at the beginning of book 5 of Augustine's De musica., Various texts including Augistine's De musica (ff. 1-121)

that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Giovanni Aretino (colophons on ff. 121v, 127v) Giovanni Aretino Various authors including Augustine Venice Italy, N. E. (Venice)

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

and 'landing' case. Purchased as 'The Ascott Album' by the British Library from the Rothschild family on 26 March 1979. Dedication of a church Master of the Murano Gradual Master of San Michele a Murano Venice Italy, N. E. (Venice)

• Illuminated initial 'V'(enio) entwined with blue knotted strapwork, with the opening words of the text in square capitals, written in a three-colour sequence, at the beginning of Cicero's In verrem, book 4., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Illuminated initial 'S'(i) entwined with strapwork, square capitals in a four-colour sequence, and a trompe l'oeil page with its corners curling at the edges, surrounded by a full border with all'antica elements, a frieze, and griffins supporting a shield in a wreath; at the beginning of Cicero's In verrem., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Illuminated white vine-stem border and initial 'C'(redo) of strapwork, and square capitals as display script in alternating colours, at the beginning of Cicero's Pro Roscio Amerino., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Illuminated white vine-stem initial 'Q'(uamquam), and display script in alternating colours in the style of Felice Feliciano of Verona, at the beginning of Cicero's De Imperio Cn. Pompei., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Decorated initial 'O'(rba) made up of interlaced white vines, at the beginning of six lines from Ovid's Tristia (book i, part vii, lines 35-40)., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Historiated initial 'E'(t) with an old man, and a full border with heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Historiated initial 'E'(t) with an old man, and a full border with heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird,

• Decorated intial 'I'(n) of interlaced white vines, at the beginning of Ovid's Metamorphoses., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Decorated initial 'O'(rba) made up of interlaced white vines , at the beginning of six lines from Ovid's Tristia (book i, part vii, lines 35-40)., Metamorphoses (ff. 4-138v); Tristia (six lines only) (f. 138v)

his catalogue (see~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. xlviii, col. ii); sold to King George III, along with the bulk of Smith's library and

• Historiated initial 'E'(t) with an old man, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Historiated initial 'E'(t) with an old man, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Heraldic arms in the lower margin, at the beginning of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part pen-flourished

• Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium., Rhetorica ad Herennium (index De ratione dicendi ad Herennium), with glosses

Initial 'I'(n) with pen-flourishing, at the beginning of book 2 of Pseudo-Cicero's Rhetorica ad Herennium. 1 historiated initial with a full border, in part foliate, with a bird, putti and a ram?, in colours and gold, and in part

• Headpiece with geometric and zoomorphic decoration. Notes added by John Covel (before 1715)., Collection of medical texts, including Aetius's 'Libri medicinales', Books 3-4 (ff. 1v-51, 53v-79v), and Hippocrates's 'Epistula ad Ptolemaeum regem' (ff. 80-83v) and 'Aphorismi', Books 2-6 (ff. 86-91v)

~Wasserzeichen Anker~, Die Wasserzeichenkartei Piccard im Hauptstaatsarchiv Stuttgart, Findbuch 6 (Stuttgart: Kotilhammer, 1978), nos. V 105-106 (from Trient 1572 and Venice 1573). Headpieces with geometric and zoomorphic decoration in red and black (ff. 2*, 1v, 51v, 85). Initials with pen-work

• Inhabited initial 'N'(e) with a hybrid creature wearing a turban and holding a shield and sword, at the beginning of Plautus's Aulularia., Eight comedies (index Comoediae), with prologues and arguments: Amphitruo (ff. 2v-20v), Asinaria (ff. 21-36), Aulularia (ff. 36v-50), Captivi (ff. 51-66v), Circulio (ff. 67-79), Casina (ff. 80v-92-), Cistellaria (ff. 92-99), Epidicus (ff. 99-108v)

the second part of Bodleian, MS. Canon. Misc. 554 (partly written at Padua in 1435), according to unpublished notes of A. C. de la Mare at the Bodleian Library. Cristoforo Cortese Maccius Plautus Padua Italy, N. E. (Padua or Venice)