full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan, Doge of Venice, appointing Aloysio Zeno ~capitano~ of Ravenna Aloysio Zeno:
preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding
preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding
preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding
the Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Ursato Manulesso Venice Italy, N. (Venice)
Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Doge Franciscus Molino Venice Italy, N. (Venice)
his marginal annotations (e.g. f. 11)Maffeo Pinelli (d. 1785) of Venice (inscription '7899', f. 1, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7899): his London sale, 2
his marginal annotations (e.g. f. 11)Maffeo Pinelli (d. 1785) of Venice (inscription '7899', f. 1, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7899): his London sale, 2
with the arms of the Donati family of Venice inside a wreath in the upper border and hanging from the outside border, and the arms possibly of the Capodilista family of Venice inside a wreath in the lower border (f.
with the arms of the Donati family of Venice inside a wreath in the upper border and hanging from the outside border, and the arms possibly of the Capodilista family of Venice inside a wreath in the lower border (f.
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
his marginal annotations (e.g. f. 11)Maffeo Pinelli (d. 1785) of Venice (inscription '7899', f. 1, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7899): his London sale, 2
his marginal annotations (e.g. f. 11)Maffeo Pinelli (d. 1785) of Venice (inscription '7899', f. 1, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7899): his London sale, 2
1810, purchased by Burney: note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Athenaeus, Biton Venice Italy, N. E. (Venice)
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
104-108 (from Udine 1563, Trient 1572, Venice 1573, and Innsbruck 1568); Dieter and Johanna Harlfinger, ~Wasserzeichen aus griechischen Handschriften~ (Berlin: N. Mielke, 1974-1980), nos. 67 (scribe: Antonios Eparchos, 1567), 77 (Meteora, 1570), 78 (Venice, 1560). Miniature of Constantine the Great
and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated
hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin
a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f. 75), the Crucifixion
mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f.