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Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed
an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed
with birds under an arch, at the beginning of Matthew. 1 full-page miniature of Matthew writing at a desk with his symbol holding a scroll above in colours (f. 2v). 1 full- page unfinished 'LI'(ber) monogram in green and gold
by Mary and John the Evangelist, and the hand of God descending from above, facing the beginning of Psalm 1. 2 full-page miniatures of the Crucifixion (ff. 12v, 52v), the first in coloured outlines, the second fully painted and with
Illuminated initial 'Q'(ui) at the beginning of Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red
Table with arcades, and illuminated initial 'L'(una) in Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F