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Coloured initials: 'M'(entibus), 'G'(loria), 'P(ater). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion
Coloured initials:'B'(eatus), 'D'(eus), 'I'(ustum). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'O'(mnipotens), 'I'(n), 'O'(mnipotens), 'I'(n), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert:
Coloured initials: 'D'(eus), 'I'(ustus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'P'(r[aest]a), 'M'(isit), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion
Canon table. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours and gold, with interlace decoration (2 also
Illuminated interlace initials 'IN'(itium) at the beginning of Mark. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours
Illuminated initial 'Q'(uoniam) in gold and colours at the beginning of Luke. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large
Illuminated interlace initials 'IN' at the beginning of John. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours
'F'(ortune). 1 large initial in red, with reserved designs, with brown pen-flourishing and flowers in red and green (f. 1).1 large puzzle initial in red and brown (f. 82). 1 large initial in plain red (f. 100). 1 smaller
'William Howarde 1579'. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate
and a knife. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate
a quadruped (dragon?). 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate
Rocheste, reading 'Liber de claust[r]o Roffens[i] p[er] H. cantor[em].' Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
Puzzle initial 'F'(uit) at the beginning of book 2. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
Puzzle initial 'P'(ostquam) at the beginning of book 4. Catchwords and quire signatures. 1 historiated initial in colours and silver, at the beginning of the text (f. 1). 2 puzzle initials in red and blue, with or without penwork decoration
with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'. 1 puzzle initial in red and blue with pen-flourishing (f. 1).1 large initial in blue with red pen-flourishing (f. 15). Small initials, alternately red or
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration