Your search found 160 results in 1 resource
'F'(ortune). 1 large initial in red, with reserved designs, with brown pen-flourishing and flowers in red and green (f. 1).1 large puzzle initial in red and brown (f. 82). 1 large initial in plain red (f. 100). 1 smaller
with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'. 1 puzzle initial in red and blue with pen-flourishing (f. 1).1 large initial in blue with red pen-flourishing (f. 15). Small initials, alternately red or
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)
an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed
an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed
by Mary and John the Evangelist, and the hand of God descending from above, facing the beginning of Psalm 1. 2 full-page miniatures of the Crucifixion (ff. 12v, 52v), the first in coloured outlines, the second fully painted and with
Illuminated initial 'Q'(ui) at the beginning of Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red
Table with arcades, and illuminated initial 'L'(una) in Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F
Illuminated initial 'Q'(ui) at the beginning of Hermann of Reichenaus's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red