• Incipit page of Mark's Gospel with an illuminated initial, 'I'(nitium), framed by an acanthus border., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of Luke, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of Jerome, seated under a canopy, with the hand of God above., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of Matthew, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Detail of a miniature of Luke, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of John, holding a manuscript, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border: 'Maiestas d[o]m[in]i celsu[m] sedet ecce tribunal'., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground framed by an acanthus border: 'Hic pater in signis meritis Iheronimus almus scriptor et interpres divine legis habetur.', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground framed by an acanthus border: 'Inter apostolicos d[omi]ni numeratus amicos hic est qui primus s[an]c[t]o[rum]q[ue] carismate plena.', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border with male portrait busts in four medallions: 'Initium s[an]c[t]i aevangelii s[e]c[un]d[u]m Matheu[m]., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Incipit page of Matthew's Gospel with illuminated initials, 'Li'(ber), framed by an acanthus border with male portrait busts in four medallions., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border: 'Initium s[an]c[t]i aevangelii s[e]c[un]d[u]m Marcu[m].', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground framed by an acanthus border:'Initium s[an]c[t]i aevangelii s[e]c[un]d[u]m Lucam.', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border: 'Inter praecipuos paradysi quatuor amnes hic est verbi potens caeli simnista iohannes.', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text in silver on a purple ground, framed by an acanthus border: 'Initium s[an]c[t]i aevangelii s[e]c[un]d[u]m Iohannem.', Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Incipit page of John's Gospel with illuminated initials, 'In' (principio erat verbum) and Christ in the centre, framed by an acanthus border with male portrait busts in four medallions., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Incipit page of Luke's Gospel with illuminated initial 'Q'(uoniam quidem), framed by an acanthus border with geometric motifs in four medallions., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Flourished initial 'F'(ortune)., De Consolatione Philosophiae

'F'(ortune). 1 large initial in red, with reserved designs, with brown pen-flourishing and flowers in red and green (f. 1).1 large puzzle initial in red and brown (f. 82). 1 large initial in plain red (f. 100). 1 smaller

• Decorated initials 'A'(nno) and 'I'(n anno), at the beginning of the Commentary on Haggai., Commentary on Daniel and the Minor Prophets

270-279v). Quire signatures (ff. 1 - 122); catchwords (ff. 249-279v). 23 large initials in red or green with penwork decoration, at the beginning of the prologue, and the commentaries on Daniel and the Minor Prophets (ff. 1, 1v, 22v, 37v,