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  • Literary Manuscripts (182)
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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

182 results from this resource . Displaying 81 to 100

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,

Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed

an alphabet (ff. 1-25). 6 smaller coloured initials with foliate and/or zoomorphic decoration (ff. 27, 32v, 43, 45v, 57, 76v). 1 small coloured initial decorated with a human face (f. 29). Cadels. Religious verses, hymns, etc. (index Alphabet Book) Inscribed

Illuminated initial 'Q'(ui) at the beginning of Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red

Table with arcades, and illuminated initial 'L'(una) in Hermann of Reichenau's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F

Illuminated initial 'Q'(ui) at the beginning of Hermann of Reichenaus's Computus. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red

Musical notation. Added two notated songs ‘As habet uncias duodecim’ (f. 45) and ‘Calcus et dimidius fit filiqua’ (f. 45v).Musical notation: neumes on staff [C and F clefs, F red staff-line (lines 1-3, f. 45)] and F and C

[(?) se]d de illo armario et qui me furaverit vel hoc folium inciserit [anathema] sit' (f. 1).Former shelf-mark(?) '141' (f. 1). Jean-Baptiste Joseph Barrois (b. 1784, d. 1855), French deputy and book collector (on whom see Hugh Collingham, 'Joseph Barrois:

[(?) se]d de illo armario et qui me furaverit vel hoc folium inciserit [anathema] sit' (f. 1).Former shelf-mark(?) '141' (f. 1). Jean-Baptiste Joseph Barrois (b. 1784, d. 1855), French deputy and book collector (on whom see Hugh Collingham, 'Joseph Barrois:

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 29 June 2024), https://www.manuscriptsonline.org/search/results?kw=1&sdf=1075&sdt=1099&st=80