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and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Januarij, A.D. 1721/22’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
it back whenever it could prove useful in a public trial, as recorded by Harley's librarian, Humfrey Wanley (see ff. 1 and 2; see Wright 1962; Wright and Wright 1966; Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661,
it back whenever it could prove useful in a public trial, as recorded by Harley's librarian, Humfrey Wanley (see ff. 1 and 2; see Wright 1962; Wright and Wright 1966; Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661,
it back whenever it could prove useful in a public trial, as recorded by Harley's librarian, Humfrey Wanley (see ff. 1 and 2; see Wright 1962; Wright and Wright 1966; Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661,
Detail of zoomorphic initial of a bird. The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the beginning of most books
Zoomorphic initial 'M'(ultorum). The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the beginning of most books and other divisions (ff.
Decorated initial with a dog at the beginning of Job. The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the beginning
Decorated initial of a lion ? with a flowing tail eating a bird. The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic