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Decorated initial 'F'(ratribus). The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the beginning of most books and other divisions (ff.
Decorated initial with animal heads at the beginning of Jerome's prologue. The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the
Decorated initial with foliate decoration, and one with animals heads. The second volume of this Bible, the continuation of Harley 4772.Uncrossed tironian ets, and ampersands.Quire signatures. Large initials in colours and sometimes gold, some partly zoomorphic at the beginning
annotations.Pigments oxidised.Watermark on f. [645] 77 historiated initials in gold and colours with foliate decoration, human heads, hybrid creatures. f. 1: cleric writing, for the beginning of Jerome's Prologue; f. 4v: Creation scenes, for Genesis; f. 28: Moses receives Tablets
Headpiece and decorated initial. Ruled in hardpoint.Folio missing after f. 96.f. 100* (with notes in Covel's hand) after f. 100.Transcript of the Lexicon `ex codice graeco MS Actorum Epistolarum et Apocalypseos Covelliano' by Johann Friedrich Burg of Vratislava at
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘22 die mensis Junij, A.D. 1726’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
first medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v,
first medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v,
of first medieval parchment flyleaf). Sketches of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4,
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
Marginal drawing of a dragon. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of
Marginal geometrical drawings. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text
Diagram Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of each text or major
Marginal drawings of a pointing hand and a human head. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other
Marginal drawing of a hybrid. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with pen-flourishing in the other colour at the beginning of
Marginal drawings of human bust pointing the text, a hybrid, a pointing hand, and an animal head. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue
Marginal drawings of a dragon and of heads of a man and a woman. Includes the condemned propositions of Tempier, Bishop of Paris (1270) and Robertus Kilwardby, Archbishop of Canterbury (1270-1277) (f. 2). Initials in blue or red with