• Diagrams in Boethius's Scolica Enchiriadis., Glossed De Institutione Musica (ff. 6v-62); Scolica Enchiriadis (ff. 63v-87v); Tonary (ff. 92-98)

Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain

• Decorated initial 'C'(ivilis) at the beginning of chapter 6 of book 1 of Cicero's De inventione., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).

• Detail of the decorated initial 'C'(ivilis) at the beginning of chapter 6 of book 1 of Cicero's De inventione., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

of chapter 6 of book 1 of Cicero's De inventione. 6 large decorated initials in brown ink with yellow and red washes, 2 with zoomorphic features of a animal head, or a bird (ff. 1, 3, 4, 24, 51v, 70).

• Decorated initial and border., Commission from Leonardo Loredan, Doge of Venice, appointing Aloysio Zeno ~capitano~ of Ravenna

Decorated initial and border. 1 large decorated foliate initial with a full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan,

• Coloured initials 'Q'(uanta) and I(ordmare), with geometric line-fillers in red., Vita S. Gregorii Papae; Versus S. Gregorii

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

• Initial 'T'(alibus) with penwork decoration at the beginning of book 3 of John the Deacon's Vita S. Gregorii Papae., Vita S. Gregorii Papae; Versus S. Gregorii

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

• Ownership inscriptions: at the very top is the 18th-century acquisition note of the Harley collection; below this is the 13th-century ownership note and anathema of St. Mary's abbey, Abingdon; below this is a list of contents; and finally ownership notes of the monastery of Val St.-Martin at Louvain, and its prior, Johannes Vlimmerius., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• Ink drawing of a monk with a tonsure and a halo writing at a writing-desk with an elaborate ink-pot holder. On the open page in front of him are the first words ('Dilectissimo filio &') of the work which follows. He must therefore be intended as a representation of the author, Paschasius Radbertus, who died c. 860 at the monastery of Corbie, in France., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• List of chapters, followed by a decorated initial 'D'(ilectissimo filio &') at the begiinning of the preface, which also appear in the author portrait at the beginning of the volume., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• Decorated initials in Lanfranc's treatise on 'The Body and Blood of the Lord', which is directed against the heretical views of Berengar of Tours (d. 1088). The rubrics 'Beringerius' and 'Lanfrancus' introduce Berengar's opinions and Lanfranc's refutations of them., Theological miscellany, including Paschasius Radbertus, De corpore et sanguine Domini; Augustine, De sacramento altaris (sermon 52); Lanfranc, De corpore et sanguine Domini; Augustine, De purgatorio igne

Albendone . . .' wth anathema (f. 1). 14th-century list of contents (f. 1). Ownership notes of the Augustinian priory of Val St.-Martin, at Leuven (index Louvain), and its prior, Johannes Vlimmerius (f. 1). The Harley Collection, formed by Robert

• Display script with penwork decoration and reserved lines., Epistolae

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

• Dedtail of display script with penwork decoration and reserved lines., Epistolae

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

• Detail of decorated initial 'H'(abens) with reserved lines, arabesque and foliate motifs., Epistolae

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

• Detail of decorated initial 'A'(ugustinus) with reserved lines, arabesque and foliate motifs., Epistolae

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

• Detail of display script with reserved lines., Epistolae

frequently with reserved lines and with penwork decoration including arabesque and foliate motifs in the two alternate colours, for epistles. 1 small puzzle initial in green and yellow with some red penwork (f. 1*v). Display script in alternate red, yellow,

• Coloured initial 'Q'(uib) with penwork decoration including a face., Vita S. Gregorii Papae; Versus S. Gregorii

xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)

• Decorated initial 'M'(agnus), at the beginning of the Confessiones of Augustine., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'C'(onfessionum) and 'M'(agnus) at the beginning of Augustine's Confessiones., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'P'(er), at the beginning of book 4 of Augustine's Confessiones., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords

• Decorated initial 'C'(onfessionum), at the beginning of a fragment of 'Retractationes' of Augustine., Confessiones, De heresibus

the 'Confessiones' preceded by a fragment of 'Retractationes' begins on f. 1, but is broken off and repeated on f. 2v; ff. 1v-2 are blank.Written by three hands (Hand 1: ff. 1-116, Hand 2: ff. 117-128, Hand 3: ff. 129-184).Catchwords