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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1553 results from this resource . Displaying 221 to 240

which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed

which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed

which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed

in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a

[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds

which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red

Simple headpiece and intial 'T'(on) in an extract from Cyril of Scythopolis's Life of Euthymius of Palestine. A palimpsest, re-using at least five older manuscripts. The principal manuscript re-used was a liturgical book written in a small minuscule, perhaps

Simple headpiece and intial 'T'(on) in an extract from Cyril of Scythopolis's Life of Euthymius of Palestine. A palimpsest, re-using at least five older manuscripts. The principal manuscript re-used was a liturgical book written in a small minuscule, perhaps

in column 1. f. 168 is a former pastedown. Full page tree of consanguinity with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large

Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17). According to Glunz, with marginal and interlinear glosses that

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 6 July 2024), https://www.manuscriptsonline.org/search/results?kw=1&sdf=1108&sdt=1162&st=220