which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed
which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed
which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed
in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a
[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds
which archbishop Radulfus is listed in the margin of the chart in the original hand, with the death of Henry 1 in another hand (f. 1v). Added note relating to the coronation of Henry II (f. 2).The Harley Collection, formed
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue with red pen-flourishing, many with foliate forms. Large simple initials in red
Simple headpiece and intial 'T'(on) in an extract from Cyril of Scythopolis's Life of Euthymius of Palestine. A palimpsest, re-using at least five older manuscripts. The principal manuscript re-used was a liturgical book written in a small minuscule, perhaps
Simple headpiece and intial 'T'(on) in an extract from Cyril of Scythopolis's Life of Euthymius of Palestine. A palimpsest, re-using at least five older manuscripts. The principal manuscript re-used was a liturgical book written in a small minuscule, perhaps
in column 1. f. 168 is a former pastedown. Full page tree of consanguinity with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large
Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17). According to Glunz, with marginal and interlinear glosses that
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from