the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
suffrage to James. We thank François Avril for the localisation, and for the identification of the heraldry in this manuscript. 1 full page miniature with a decorated initial including the coat of arms of Jacqueline Macheco, and full foliate borders
orditur epactarum' (f. 145v); 'Epistola Bede presbiteri ad Victedam [Wicredum] presbiterum' (ff. 146-148v);Verses on the seven liberal arts (ff. 149-149v). 1 explanatory drawing of methods of calculation of the Computus (f. 33v). Series of ink drawings of the constellations slightly
orditur epactarum' (f. 145v); 'Epistola Bede presbiteri ad Victedam [Wicredum] presbiterum' (ff. 146-148v);Verses on the seven liberal arts (ff. 149-149v). 1 explanatory drawing of methods of calculation of the Computus (f. 33v). Series of ink drawings of the constellations slightly
Coloured initial 'O'(peris huius). For the text, see Liudprand of Cremona, ~The Complete Works of Luidprand of Cremona~, ed. and trans. by Paolo Squatriti (Washington, D.C.: Catholic University of America Press, 2007).Ruled in hard point.Numerous folios have been trimmed
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
century (f. 1v).The Old Royal Library (the English Royal Library): Henrician title 'Decretales' and Westminster inventory number 'no. 1059' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
of Trier: 12th-century inscription 'Liber Sancte Marie Sanctique Nycholay in Arinstein / quem nobis monasterienses restituerunt pro pastorali cura' (f. 1); possibly identifiable with a copy of Isidore's Etymologiae listed among the 'Libri communes' of the abbey in Harley 3045
of Trier: 12th-century inscription 'Liber Sancte Marie Sanctique Nycholay in Arinstein / quem nobis monasterienses restituerunt pro pastorali cura' (f. 1); possibly identifiable with a copy of Isidore's Etymologiae listed among the 'Libri communes' of the abbey in Harley 3045