• Text page showing layout of gloss, and with the name of John Stout in the lower margin., Glossed Gospel of Mark

gloss, and with the name of John Stout in the lower margin. 1 large puzzle initial in red and blue, with red and blue foliate decoration (f. 1). 2 large initials in red or blue, with red and blue foliate

• Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin., Bible, with prologues

Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51

• Puzzle initial 'I'(n) at the beginning of Genesis., Bible, with prologues

Puzzle initial 'I'(n) at the beginning of Genesis. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51 and 101 are not emphasised. Large puzzle initials in blue

• Illuminated initials 'P'(hebeo) and 'S'(epe) at the beginning of the first text, the lower margin with the ownership inscription and shelfmark of the reformed fathers of Conegliano., Works

ownership inscription and shelfmark of the reformed fathers of Conegliano. 2 large initials, in colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare (ff. 94-95v); preceded by a Life of Horace attributed here to Petrus Crinitus (ff. 1-4)

large faceted initials in gold, each on a square field of dark purple, brown, gold, or green (ff. 1, 5, 27, 41, 65, 79, 94). Small initials in gold on a square field of blue, red, purple, green, or gray

• null, Odes (ff. 5-78v), Epodes (ff. 79-93v), and Carmen saeculare (ff. 94-95v); preceded by a Life of Horace attributed here to Petrus Crinitus (ff. 1-4)

large faceted initials in gold, each on a square field of dark purple, brown, gold, or green (ff. 1, 5, 27, 41, 65, 79, 94). Small initials in gold on a square field of blue, red, purple, green, or gray

• Decorated initial 'C'(omplevimus) at the beginning of the Diaetarum., Diaetarum

signatures in Part 2.We thank François Avril for the localisation of this manuscript. 1 large initial with foliate decoration in brown and red on a blue ground (f. 47). Large initials in blue or red, one with penwork decoration in

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• null, Works

colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower

• Decorated initial 'C'(omplevimus) at the beginning of the Diaetarum., Diaetarum

signatures in Part 2.We thank François Avril for the localisation of this manuscript. 1 large initial with foliate decoration in brown and red on a blue ground (f. 47). Large initials in blue or red, one with penwork decoration in

• null, Breviary, Use of Rome

289v, 305v, 317v, 336, 346, 356v, 366, 382v [with a three-sided border]). 1 large decorated initial, accompanied by a full foliate border, in colours and gold (f. 173v). 1 small decorated initial in gold on a red and blue ground,

• null, Breviary, Use of Rome

289v, 305v, 317v, 336, 346, 356v, 366, 382v [with a three-sided border]). 1 large decorated initial, accompanied by a full foliate border, in colours and gold (f. 173v). 1 small decorated initial in gold on a red and blue ground,

• null, Breviary, Use of Rome

289v, 305v, 317v, 336, 346, 356v, 366, 382v [with a three-sided border]). 1 large decorated initial, accompanied by a full foliate border, in colours and gold (f. 173v). 1 small decorated initial in gold on a red and blue ground,

• null, Breviary, Use of Rome

289v, 305v, 317v, 336, 346, 356v, 366, 382v [with a three-sided border]). 1 large decorated initial, accompanied by a full foliate border, in colours and gold (f. 173v). 1 small decorated initial in gold on a red and blue ground,

• Decorated initial with pen-flourishing., Liber Uricrisiarum, imperfect

Decorated initial with pen-flourishing. ff. 214-216 and the following leaf are added with text in English (ff. 214-216v). Large initials in blue with red pen-flourishing, sometimes extending into a 1-sided border (e.g., ff. 4, 74v, 130v, 137v, 158v, 164v,

• Flourished initial 'C'(um), incorporating a shield with the symbols of the Passion of Christ, at the beginning of John Mandeville's Itinerarium., Itinerarium (index Travels)

Christ, at the beginning of John Mandeville's Itinerarium. 1 large initial in red with reserved designs, incorporating a shield with the symbols of the Passion of Christ, with red pen-flourishing (f. 1). Large and small initials in plain red. Itinerarium

• Detail of a foliate initial 'D'(omino) with human heads, at the beginning of the preface., Commentary on Matthew

2 foliate inhabited initials in colours and gold with display script, at the beginning of the preface and book 1 (ff. 1, 2v). 2 large initials in brown or blue with penwork decoration in red and green, at the beginning