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initials in colours and gold, usually containing hybrids, with partial borders and 1 full border with drolleries (f. 1), at the beginning of all books and prologues (ff. 1, 2, 43v, 77, 92v, 110v, 129, 140, 151, 153, 169v, 182,
work in a group of manuscripts commissioned by him (see Stirnemann, 2003). Added inscription, medieval (f. 1).Added pressmark '49' (f. 1). The lower part of f. 120 has been excised to remove an ownership inscription. Part of f. 121 has
Coloured initials. Musical notation: Anglo-Saxon neumes, England (Winchester), mid-11th century (f. 4-4v).The volume is a composite manuscript made up of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian
Coloured initials. Musical notation: Anglo-Saxon neumes, England (Winchester), mid-11th century (f. 4-4v).The volume is a composite manuscript made up of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian
inscription (f. 2, copied on f. 1v in a 18th-century hand). Recipe for ink in Latin with English notes (f. 1), in a 17th-century hand. Stephen Potts: sold to Twysden in 1626: see Ovenden.Sir Roger Twysden (b. 1597, d. 1672),
inscription (f. 2, copied on f. 1v in a 18th-century hand). Recipe for ink in Latin with English notes (f. 1), in a 17th-century hand. Stephen Potts: sold to Twysden in 1626: see Ovenden.Sir Roger Twysden (b. 1597, d. 1672),