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canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning of Psalm 101 (f. 40). Large initials in red or some
'D'(esiderii) in column 1, at the beginning of Jerome's Prologue. The historical annals which were once part of the Arnstein Bible were copied from the Floreffe Bible (Additional 17738).The second volume of this Bible is Harley 2799.Decorated quire signatures. Large
orditur epactarum' (f. 145v); 'Epistola Bede presbiteri ad Victedam [Wicredum] presbiterum' (ff. 146-148v);Verses on the seven liberal arts (ff. 149-149v). 1 explanatory drawing of methods of calculation of the Computus (f. 33v). Series of ink drawings of the constellations slightly
orditur epactarum' (f. 145v); 'Epistola Bede presbiteri ad Victedam [Wicredum] presbiterum' (ff. 146-148v);Verses on the seven liberal arts (ff. 149-149v). 1 explanatory drawing of methods of calculation of the Computus (f. 33v). Series of ink drawings of the constellations slightly
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘16 January 1720/21' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime