• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• null, Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• Detail of an illuminated historiated initial 'D'(eus) of the Crucifixion, with two men nailing Christ to the cross., Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• Historiated initial 'E'(xaltabo) of Christ visited by the holy spirit., Psalter, imperfect, beginning with Psalm 2:8 and with folios excised (the 'Charité- sur- Loire Psalter), with a calendar and related tables (ff. 1-8v), with prayers (f. 87r-v); and litany and prayers (ff. 88-93v)

patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti A. D. 1724' (f. 1); and 'Horum Psalmorum Veersio, stille quae dicitur B. Hioronymi GALLICANA' (f. 9).Edward Harley bequeathed the library to his widow,

• Diagram in William of Conches' Tract on Philosophy and Man., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

Diagram in William of Conches' Tract on Philosophy and Man. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large

• Initial 'V'(olens), at the beginning of the Tractatus Magistri Habrahe de tabulis plantetarum., Miscellany, including a calendar and astrological texts, including Roger's Hereford tables (ff. 77-87); excerpts from William of Conches's Dragmaticon philosophiae, and Daniel of Morley's Liber de naturis inferiorum et superiorum

the beginning of the Tractatus Magistri Habrahe de tabulis plantetarum. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large

• Historiated initial 'P'(rincipia) of Peter Lombard holding a scroll with an inscription, 'Petrus Lombard', at the beginning to the prologue to Peter Lombard's Commentary on Epistles., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Inhabited initial 'P'(aulus) with white lions interlaced with a foliate scroll and an attached portrait of Peter Lombard writing the first words of his commentary, 'hunc epistola[m] / s/cribit / ap[osto]l[us]s roma/nos'., Pauline Epistles, with the commentary of Peter Lombard

indicating the length of a citation.Catchwords and bifolium signatures. 3 initials with foliate and/or zoomorphic decoration (f. 3, 170), including 1 with an author portrait attached to the initial (f. 4), in colours and gold, at the beginning of Peter

• Coloured initials in blue with pen-flourished decoration in red and blue., Leaf from an Antiphonary containing the chants for the office of St Cecilia.

of the foundation collections of the British Library.Inscribed with notes relating to the removal of printed specimen (Nos. 1-185, 244, 246, 247, 266) for tranfer to the Department of Printed Books in 1814 and 1891 (f. 1). Decorated initials England

• Historiated initial 'P'(aulus) of Paul holding a scroll with the inscription 'Ad Timotheu[m]', at the beginning of 1Timothy, and an illuminated initial 'P'(aulus) at the beginning of the gloss., Gloss on the Pauline Epistles

102v, 117, 129v, 138v, 146, 152, 155v, 164v, 170, 172v). 1 foliate initial with white lions in colours and gold, at the beginning of the prologue (f. 1), and 1 initial with dragons in colours and gold, at the beginning

• Decorated initial 'P'(rophetaverit), at the beginning of book 2., Commentary on Ezra and Nehemiah

Abb[at]is s[e]c[un]di temp[o]re sc[r]ipt[us] / p[er] manu[m] D[omini] Fulconis can[oni]ci p[ost]ea / p[r]ioris D[omino] Alexand[r]o de Weleue t[un]c Can/tore' (f. 1); noted by John Leland c. 1536-40 (see ~J. Lelandi antiquarii de rebus Britannicis Collectanea: Cum Thomæ Hearnii præfatione notis

• Inscription stating that the book belongs to the Augustinian abbey of St Mary, Cirencester , and was written by canon Fulk during the abbacy of Andrew: '[L]ib[er] s[anc]te Marie de Cirecest[e]r[ia] D[omini] / Andree Abb[at]is s[e]c[un]di temp[o]re sc[r]ipt[us] / p[er] manu[m] D[omini] Fulconis can[oni]ci p[ost]ea / p[r]ioris D[omino] Alexand[r]o de Weleue t[un]c Can/tore.', Commentary on Ezra and Nehemiah

Abb[at]is s[e]c[un]di temp[o]re sc[r]ipt[us] / p[er] manu[m] D[omini] Fulconis can[oni]ci p[ost]ea / p[r]ioris D[omino] Alexand[r]o de Weleue t[un]c Can/tore' (f. 1); noted by John Leland c. 1536-40 (see ~J. Lelandi antiquarii de rebus Britannicis Collectanea: Cum Thomæ Hearnii præfatione notis

• Decorated initial 'V'(erba) at the beginning of book 3., Commentary on Ezra and Nehemiah

Abb[at]is s[e]c[un]di temp[o]re sc[r]ipt[us] / p[er] manu[m] D[omini] Fulconis can[oni]ci p[ost]ea / p[r]ioris D[omino] Alexand[r]o de Weleue t[un]c Can/tore' (f. 1); noted by John Leland c. 1536-40 (see ~J. Lelandi antiquarii de rebus Britannicis Collectanea: Cum Thomæ Hearnii præfatione notis

• Historiated initial 'P'(aulus) of Paul holding a book, at the beginning of Peter Lombard's commentary on Ephesians, and a historiated initial 'P'(aulus) of a lion, at the beginning of Ephesians., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials