• Historiated initial 'P'(aulus) of Paul, at the beginning of Philemon, and an illuminated initial 'P'(aulus), at the beginning of Peter Lombard's commentary on Philemon., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Historiated initial 'P'(aulus) of Paul, at the beginning of 2 Thessalonians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on 2 Thessalonians., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Colossians, and an illuminated initial 'P'(aulus) at the beginning of Colossians., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Historiated initial 'P'(aulus) of Paul holding a scroll, at the beginning of Peter Lombard's commentary on Philippians, and an illuminated initial 'P'(aulus) at the beginning of Philippians., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Historiated initial 'P'(aulus) of Paul, at the beginning of Corinthians, and an illuminated initial 'P'(aulus) at the beginning of Peter Lombard's commentary on Corinthians., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Historiated initial 'P'(aulus) of Paul, at the beginning of Peter Lombard's commentary on Romans, and an illuminated initial 'P'(aulus) at the beginning of Romans., Gloss on the Pauline Epistles

and notes 'cor' in brown or red ink. Guide letters for initials. 14 historiated initials in colours and gold (ff. 1, 2, 60v, 100, 122, 139v, 152, 161, 169, 175, 179, 188, 193, 196), and 15 foliate initials or initials

• Detail of a miniature of Death, at the beginning of Matins in the Office of the Dead., Book of Hours, Use of Rome

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Zoomorphic initial 'G'(lorio) of a dragon., De Civitate Dei (index City of God), books 1-9

Uncrossed tironian ets, and ampersands. ae caudatas. 1 large zoomorphic initial, in colours, in a decorated rectangular border, at the beginning of the first book (f. 2). 8 large initials in red, most with yellow penwork decoration, at the beginning

• Drawing of a knight on horseback, with a lance, with an account of Macrobius and his work, and opposite, various ownership inscriptions and the book-plate of Dunn., Somnium Scipionis (ff. 3-7), with an 'Alfabetum Grecorum' (f. 1v), a diagram of consanguinity (f. 2)

a parchment leaf at the end.Ampersands, and uncrossed tironian ets. In part 1, ct ligatures. 1 drawing in brown ink with colour washes, of a mounted knight (f. 1). Large zoomorphic initial in brown ink with coloured washes (f. 3).

• Drawing of outline drawing of Scipio Africanus and Masinissa, under a colonnade., Somnium Scipionis (ff. 3-7), with an 'Alfabetum Grecorum' (f. 1v), a diagram of consanguinity (f. 2)

a parchment leaf at the end.Ampersands, and uncrossed tironian ets. In part 1, ct ligatures. 1 drawing in brown ink with colour washes, of a mounted knight (f. 1). Large zoomorphic initial in brown ink with coloured washes (f. 3).

• Zoomorphic initial 'F'(ecit) at the beginning of the prologue to the Gospels., Glossed Matthew and Mark

Gospels. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

• Illuminated initial 'M('atheus) at the beginning of the prologue to Matthew., Glossed Matthew and Mark

f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and green,

• Illuminated initial 'L'(iber) at the beginning of Matthew, with acanthus leaf decoration., Glossed Matthew and Mark

decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

• Illuminated initial 'M'(arcus) at the beginning of the prologue to Mark, with foliate decoration., Glossed Matthew and Mark

foliate decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue,

• Illuminated initial 'I'(nitium) at the beginning of Mark, with acanthus leaf decoration., Glossed Matthew and Mark

decoration. f. 1* is a medieval parchment flyleaf.Quire signatures of Roman numerals.f. 1 contains capitula referring to the quire and folio numbers of the manuscript. 5 large initials in gold and sometimes silver with penwork decoration in red, blue, and

• Miniature of the Crucifixion., Missal, including a calendar, a Gradual for summer, a Lectionary for the days after Easter and Pentecost

with clefs (ff. 7v-62v), brown (ff. 63-128v)], South-West Germany (Bohemia), end of the 12th century – beginning of the 13th. 1 miniature in brown and red ink, with washes in green, purple, and yellow (f. 40v). 4 large initials in

• Initials 'P'(hebeo) and 'S'(epe) with penwork decoration at the beginning of the text., Claudianus maior

Quire marks 'i'-'vii' and quire signatures 'a'-'g' in crayon.Uncrossed tironian ets. 1 large initial in blue with a reserved line and penwork decoration in red and blue (f. 1). Numerous smaller initials in red or blue, with penwork decoration in

• Decorated initial 'D'(omino) with foliate motifs at the beginning of the text., Abbreviatio historiarum (index Historia Francorum)

work in a group of manuscripts commissioned by him (see Stirnemann, 2003). Added inscription, medieval (f. 1).Added pressmark '49' (f. 1). The lower part of f. 120 has been excised to remove an ownership inscription. Part of f. 121 has

• Decorated initial 'A' (rma) with foliate and zoomorphic motifs., Aeneid (index Aeneis) with verse preface

and interlinear annotations (extensive notes in Book VI).f. 1 is a parchment flyleaf inscribed, 'Flor. P. Pothenii'. Added drawing in brown ink of an armed knight with a spear and shield (f. 1). Decorated initial in red ink with foliate

• White vine initial 'I'(n) and border at the beginning of the prologue., Comoediae (index Comedies), with prologues and arguments: Amphitruo (ff. 1-19v), Asinaria (ff. 19v-35v), Aulularia (ff. 35v-50), Captivi (ff. 50-67), Circulio (ff. 67-79v), Casina (ff. 79v-93v), Cistellaria (ff. 93v-101), Epidicus (ff. 101-112)

combined with a partial white vine border and 2 smaller initials in green or blue on a gold panel (f. 1). Large initials in gold on a red, blue and/or green panel (ff. 19v, 35v, 50, 67, 79v, 93v). Coloured