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the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
the relevant fragments and in the lower margin of each folio. 1 large foliate initial in colours and gold, with display script, at the beginning of the prologue (f. 1). Puzzle initials in red and blue with penwork decoration in
large initials in colours and gold enclosing a flower or acanthus leaves, with foliate feathering extending into the margin (ff. 1, 47, 54). Large initial in colours and gold enclosing an acanthus leaf (f. 32). Initials in blue with red
1 preliminary drawing of an initial in ink (f. 51v). 1 puzzle initial in blue and black with blue and black pen-flourishing (f. 13), and 1 puzzle initial in red and blue with red and blue pen-flourishing (f. 61).
Puzzle initial 'F'(rater) at the beginning of the general prologue, with possible ownership inscriptions in the upper margin. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51
Puzzle initial 'I'(n) at the beginning of Genesis. With 'modern' chapter divisions; chapters do not start on new lines; the Psalms are present, and the initials to Psalms 51 and 101 are not emphasised. Large puzzle initials in blue
ownership inscription and shelfmark of the reformed fathers of Conegliano. 2 large initials, in colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
colours and gold (f. 1). Small initials in red, with simple penwork ornament. Works Unidentified owner: a prayer added in Italy(?), 14th century(?), mentions John and Paul and ‘in ista parochia’ (f. 88v).Unidentified owner, 1359(?): inscribed '1359' (f. 88v, lower
Christ, at the beginning of John Mandeville's Itinerarium. 1 large initial in red with reserved designs, incorporating a shield with the symbols of the Passion of Christ, with red pen-flourishing (f. 1). Large and small initials in plain red. Itinerarium
and founder of insurance offices: his stamp (f. 1); probably given to the New Philosophical Institution, founded shortly before his death. The New Philosophical Institution, Beaumont Square, Mile End: stamps (ff. 1, 174v). Sir John Trelawny: his sale, 28 June
these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration
these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration
these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration
these quires. 5 illuminated initials in gold on blue or blue and red grounds with penwork decoration in white (ff. 1, 88v, 102, 104, 108), one at the beginning of each text. Red and blue initials with contrasting penwork decoration
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,