• Catchword included into a griffin-like creature., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280) Scribal

• Marginal drawing of a lion and a unicorn., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

• Catchword included into a dragon., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280) Scribal

• Catchword included into an two-tailed mermaid. The facial features of the mermaid are erased., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

originally not part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises

• Catchword is decorated with a fish-human hybrid., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

• Miniatures showing the allegorical figures of (1) Haine and (2) Feloniye with Vilenie., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing the allegorical figures of (1) Convoitise and (2) Avarice., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) a dance in the walled garden and (2) a kiss., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) Franchise and Pitie speaking with Dangier and (2) Franchise sending Bel-acueil to the Lover., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) Peur speaking to Honte and (2) Peur and Honte waking up Dangier., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Two miniatures showing (1) La Vieille revealing good news to the Lover and (2) La Vieille showing the Lover how to get into the castle., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Decorated initials, and quire signature., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Marginal drawing of the Annunciation., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Puzzle initial 'H'(eri) with penwork decoration., Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae)

with various inscriptions. 2 large initials in blue with red penwork decoration (ff. 1, 7). Paraphs in blue. Capitals marked in yellow. Marginal notes in red. Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae) Giles Grene: sixteenth-century

• Miniature of the image of Christ from Veronica's veil (Sudarium), at the beginning of a prayer., Prayer

is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford, according to Morgan 1982. 1 half-page miniature at the beginning of a prayer to the Holy Face, or Veronica image, in colours and gold

• Miniature of a plant., Translation of the herbal (The 'Carrara Herbal'), including the Liber agrega, Herbolario volgare; De medicamentis, with index (ff. 263-265)

the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in

• Miniature of basil in a planter., Translation of the herbal (The 'Carrara Herbal'), including the Liber agrega, Herbolario volgare; De medicamentis, with index (ff. 263-265)

the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in

• Miniature of a plant., Translation of the herbal (The 'Carrara Herbal'), including the Liber agrega, Herbolario volgare; De medicamentis, with index (ff. 263-265)

the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in

• Full border with heraldic decoration and historiated initial 'E', with miniature of a tree., Translation of the herbal (The 'Carrara Herbal'), including the Liber agrega, Herbolario volgare; De medicamentis, with index (ff. 263-265)

the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in

• Miniature of a grape vine., Translation of the herbal (The 'Carrara Herbal'), including the Liber agrega, Herbolario volgare; De medicamentis, with index (ff. 263-265)

the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in