• Miniatures of ravens attacking a horse, and a crow., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of ravens attacking a horse., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of a crow., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Miniature of bees returning to their hive., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of bees returning to their hive., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Miniature of a quail., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of a quail., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Text page at the end of the manuscript., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Miniature of a lizard, and a miniature of a man being slain by salamanders., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of a lizard., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Detail of a miniature of a man being slain by salamanders., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

James 1928. Crossed tironian ets; ampersands. 80 miniatures in colours and gold, some with punchwork. 1 foliate initial in gold and colours (f. 6). 1 unfinished diagram of a 'T' map of the Earth (f. 95v). Initials in red with

• Historiated initial 'F'(uit) of Elkanah and his two wives, Hannah and Peninnah, before an altar, at the beginning of Kings 1 (Samuel 1)., Bible (including the Psalms)

initial 'F'(uit) of Elkanah and his two wives, Hannah and Peninnah, before an altar, at the beginning of Kings 1 (Samuel 1). Includes the Psalms (ff. 128v-143v).Quire signatures, guide letters for initials and guide numbers for chapter numbers, instructions for

• Detail of a miniature of Troilus taking leave of Cressida, with Trojans at the gate behind., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Troilus at battle; miniature of Troilus being slain by Achilles., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Calligraphic initial 'T'(he) at the beginning of the Testament of John Lydgate., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of king Adrastus reconciling Polynices and Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of king Adrastus reconciling Polynices and Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Eteocles receiving Tydeus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Jocasta's embassy to Adrastus., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or