• Decorated initial-word panel accompanied by a foliate scroll constituting a medallion with another golden lion in it, at the beginning of the Guide of the Perplexed., The Guide of the Perplexed (~Moreh Nevukhim~)

66, 67, 84, 101, 111, 115, 132, 179, 188, 192). Incomplete at the end. 1 full-page decorated initial-word panel, in colours and gold (f. 1v). 1 full-page miniature of a coat of arms (f. 156v). 2 heraldic golden lion in

• Heraldic symbol of a golden lion in a decorated panel, at the beginning of the Guide of the Perplexed., The Guide of the Perplexed (~Moreh Nevukhim~)

66, 67, 84, 101, 111, 115, 132, 179, 188, 192). Incomplete at the end. 1 full-page decorated initial-word panel, in colours and gold (f. 1v). 1 full-page miniature of a coat of arms (f. 156v). 2 heraldic golden lion in

• Historiated initial 'B'(eatus) of David playing the harp in the upper register, and David killing Goliath in the lower register, at the beginning of Psalm 1, and an illuminated initial 'B'(eatus) with a dragon, at the beginning of the commentary on Psalm 1., Psalter with the commentary of Peter Lombard

killing Goliath in the lower register, at the beginning of Psalm 1, and an illuminated initial 'B'(eatus) with a dragon, at the beginning of the commentary on Psalm 1. Related to a set of biblical manuscripts, Royal 3 E I-V

• Glossed text of Ezekiel 40:6-11., Ezekiel and Daniel, with the Glossa ordinaria

and chapter numbers. Catchwords. 1 historiated initial in colour and gold, at the beginning of Ezekiel (f. 2v), and 1 foliate initial in colours and gold, at the beginning of the prologue to Ezekiel (f. 1). Space left for initials

• Ownership inscription of Simon, abbot of the Benedictine abbey of St. Mary and St. Benedict, Ramsey, 'Liber domini Simon. abbatis Rameseye', with a table of contents., De consensu evangelistarum, De musica

note (f. 12v) and bifolium signatures perhaps in the same hand. 1 historiated initial in colours and gold with full border, at the beginning of the text (f. 1). Initials in red with blue pen-flourishing, or in blue with red

• Miniature of David and Goliath, and historiated initial 'B'(eneurez) of David playing the harp, at the beginning of Psalm 1., Bible (Genesis-Psalms), imperfect, ending in Psalm 109

of David playing the harp, at the beginning of Psalm 1. One of three manuscripts of the 'Bible du XIIIe siècle', or French translation of the Bible not a compilation with sections of Guyart des Moulins' Bible historiale. (see Sneddon

• Decorated initials 'U'(t) and 'A'(nno)., Historiae adversus paganos, in seven books, preceded by an 'Argumentum' (ff. 1-122); De bello Troiana (index De excidio troiae historia), preceded by the supposititious letter of Cornelius Nepos to Sallust, beginning, 'Cornelius Salustio suo salutem. Cum multa Athenis' (ff. 123-133v), imperfect at the end (the manuscript breaks off at the end of Chapter 46)

century (f. 1). Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts: his shorthand inscription, 'Netlton Hnry Savil' (f. 1) (see Warner and Gilson 1921); listed in the catalogue of his library: Harley 1879, f. 1, and

• Historiated initial 'B'(eatus) with David playing a harp, and the Annunciation to the Virgin below, with Gabriel holding a scroll inscribed 'Ave Maria, gratia plena, Dominus tecum', at the beginning of Psalm 1., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

the beginning of Psalm 1. The missing miniature appears to have depicted a person kneeling at the foot of an enthroned figure. 1 full-page miniature divided into two registers in colours and gold (f. 10v). 1 full-page miniature excised (an

• Detail of a drawing of the city of London, as part of the itinerary to Jerusalem., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Calendar page., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Calendar page., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Puzzle initial 'A'(nno), with the inverted arms of Harold indicating his death, and the arms of William the Conqueror with a crown, indicating his accession to the English throne., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Puzzle initial 'D'(efuncto) and the arms of William the Conqueror., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of arms with a pike, referring to the discovery of the relics of Amphibaldus., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of bells being rung referring to the relaxation of the papal interdict, and of an inverted insignia indicating the death of John, abbot of St. Albans., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of a man threshing corn, referring to the plunder of barns at Wingham., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of a house referring to the house for converted Jews in London., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawings of the arms of Castille and Leon, France, England, Norway, and Jerusalem, all with crosses and crowns., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of inverted papal insignia with a hand holding a flower, referring to the death of Innocent IV., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings

• Marginal drawing of prince Edmund as a baby in a cradle, and a drawing of two inverted shields with arms of Baldwin, count of Devon, and of Herbert Fitz-Matthew., Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora

gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings