• Marginal drawing of a lion and a unicorn., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

• Catchword included into a dragon., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280) Scribal

• Catchword included into an two-tailed mermaid. The facial features of the mermaid are erased., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

originally not part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises

• Catchword is decorated with a fish-human hybrid., ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

part of the manuscript but added later. 7 decorated catchwords (ff. 5v, 13v, 21v, 29v, 118v, 134v, 142v). 1 marginal drawing, in ink (f. 117v). ~Sefer ha-Terumah~ by Baruch ben Isaac (ff. 1-277); two short halakhical (legal) treatises (ff. 278-280)

• Initial words decorated with pen-flourishing in brown ink, at a ~Hoshanah~ (poetical prayer) for ~Hoshanah Rabbah~ (the seventh day of Sukkot; for the poem, see Davidson vol. 1, no. 1857)., Prayer book with Haggadah (ff. 71-88) and ~Pirqei Avot~ (ff. 88v-115), Ashkenazi rite

159v).Illegible censor's signature (f. 1). Extensive amount of erasures (e.g., ff. 11, 24, 31v, 35v, 40, 41, 57, 57v, 82v).Moses Gaster (b. 1856, d. 1939), scholar and rabbi: inscribed with his name, 'M. Gaster 582' (f. 1) and 'M. Gaster'

• Miniatures showing the allegorical figures of (1) Haine and (2) Feloniye with Vilenie., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing the allegorical figures of (1) Convoitise and (2) Avarice., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) a dance in the walled garden and (2) a kiss., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) Franchise and Pitie speaking with Dangier and (2) Franchise sending Bel-acueil to the Lover., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Miniatures showing (1) Peur speaking to Honte and (2) Peur and Honte waking up Dangier., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• Two miniatures showing (1) La Vieille revealing good news to the Lover and (2) La Vieille showing the Lover how to get into the castle., Roman de la Rose

the later addition is more didactic, scholarly, and pessimistic. 1 large miniature, followed by a small miniature and a large decorated initial, with full foliate borders, in colours and gold (f. 1). 85 small miniatures, partly coloured pen drawings (ff.

• null, Gospels, with prologues (ff. 2-6v, 58r-v, 79v-80, 115v-116), mass readings (ff. 6v-17v), capitula lists (ff. 17v-19, 58v-59v, 80-81v, 116-117), and canon tables (ff. 19v-23v, incomplete)

1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least

• null, Gospels, with prologues (ff. 2-6v, 58r-v, 79v-80, 115v-116), mass readings (ff. 6v-17v), capitula lists (ff. 17v-19, 58v-59v, 80-81v, 116-117), and canon tables (ff. 19v-23v, incomplete)

1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least

• null, Gospels, with prologues (ff. 2-6v, 58r-v, 79v-80, 115v-116), mass readings (ff. 6v-17v), capitula lists (ff. 17v-19, 58v-59v, 80-81v, 116-117), and canon tables (ff. 19v-23v, incomplete)

1 full-page miniature (unfinished drawing) (f. 26***v). Full-page canon tables, some painted, some inhabited (ff. 19v-26). 1 large foliate initial, in red ink. Small initials in plain red. Marginal sketches (ff. 51, 58v). Each Gospel is preceded by at least

• Decorated initial 'P'(riori) with stems, foliate motifs and human heads., Lives of Saints (imperfect)

and human heads. Leaves lost before f. 1 and after 147.f. 148 is from a different ?mid-12th century liturgical manuscript with red and blue penwork initials. Catchwords.f. 1* is a paper flyleaf, f. 148 is a medieval parchment flyleaf.This manuscript

• Puzzle initial 'H'(enricus)., Various legal texts, including Statutes of England (index Statute book, Statuta Angliae)

'H'(enricus). f. 1 is a parchment flyleaf inscribed with chronological notes concerning English kings.ff. 2-9 is a Table of Contents.ff. 10-12 is inscribed with the Statutum de Consuetudinibus Kancie (in French).f. 13: is a list:Taxatio civitatis London[ensis] persingulas custodias sive

• Puzzle initial 'H'(eri) with penwork decoration., Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae)

with various inscriptions. 2 large initials in blue with red penwork decoration (ff. 1, 7). Paraphs in blue. Capitals marked in yellow. Marginal notes in red. Eligantiae (with an alphabetical list of words, ff. 73-87) (index Elegantiolae) Giles Grene: sixteenth-century

• Decorated initials and foliate border, in the Hours of the Virgin., Book of Hours, Use of Rome

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Decorated initials and foliate border, in the Office of the Dead., Book of Hours, Use of Rome

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

• Miniature of Death, decorated initial 'V'(erba) and foliate borders, at the beginning of Matins in the Office of the Dead., Book of Hours, Use of Rome

Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '1 Martij, 1720/21.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during