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initial 'A'(lexander), at the beginning of Aristoteles's Epistola Ypocratis ad Alexandrum. 1 large puzzle initial in blue and red with penwork decoration in red and blue (f. 1).1 smaller initial with reserved designs (f. 4). Small initials in plain
with a large initial in brown with interlace and foliage (f. 1). f. 221 is a paper leaf. Large diagrams of hands in brown ink (ff. 131v-134v, 169, 198). 1 large initial in red with blue and red penwork decoration
Decorated panel with foliate scroll and geometric design, at the end of ~parashat mishpatim~ (Ex. 21:1-24:18). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and
f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818 (inscription 'E Libri Caroli Parr Burney 1818', f. 1). Decorated initials Eastern Mediterranean
Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch
de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,
de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,
bifolium signatures; lemmas underlined in yellow;Part 3: catchwords and bifolium signatures; instructions for rubrics. 1 miniature in colours and gold with a partial border (f. 1). Illuminated initials in colours and gold with foliate extensions, at the beginning of books
signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials
signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials
signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials
in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials
in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials
in simple penwork frames. 1 historiated initial in colours and gold with a partial bar border with a dragon motif (f. 1). 2 initials in colours and gold with partial bar borders and foliate motifs (f. 1). Large puzzle initials
Historiated puzzle initial 'D'(eus) with Thomas Aquinas. 1 historiated puzzle initial in red and blue with pen-flourishing in red, extending into a partial border in red and blue (f. 1). Small initials in blue with red pen-flourishing. Paraph marks in
signatures; lemmas underlined in yellow. 1 miniature and 1 historiated initial in colours and gold, with full borders, at the beginning of the Apparatus ad Sextum of Guido de Baysio and the Liber sextus (ff. 1, 107). Large foliate initials
red and blue with pen-flourishing in the same colours including foliate motifs extending into the borders on all sides (f. 1). Large initials in blue with red pen-flourishing including foliate motifs and flowers (ff. 5v (with face), 9, 12, 14v,
Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate
he was known as Lord Poynings.Musical notation. 1 large initial in gold on a ground in blue and red, incorporating heraldic arms, and a full foliate border, in colours and gold (f. 1). Small initials (2-3 lines) in gold with
bifolium signatures; lemmas underlined in yellow;Part 3: catchwords and bifolium signatures; instructions for rubrics. 1 miniature in colours and gold with a partial border (f. 1). Illuminated initials in colours and gold with foliate extensions, at the beginning of books