• Historiated initial 'A'(d comentum) of Gregory delivering a letter to two cardinals, with a full border containing Albans holding a shield with the arms of St Albans abbey, a kneeling monk and six other figures., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Historiated initial 'D'(e) of plaintiffs before a judge, with a partial bar border, at the beginning of book 2., Lectura in quinque libros Decretalium (Books 1-2)

yellow. 2 historiated Initials in colours and gold, with full or partial borders, at the beginning of book 1 and 2 (ff. 1, 186v). Puzzle initials in red and blue with red and purple pen-flourishing, at the beginning of chapters.

• Decorated initial 'N'(ecesse) and border, at the beginning of Richard Rotheram's De pluralitate beneficiorum; heraldic arms., De pluralitate beneficiorum (ends imperfectly)

at the beginning of Richard Rotheram's De pluralitate beneficiorum; heraldic arms. 1 large decorated initial including heraldic arms, with a full foliate border, in colours and gold (f. 1). Smaller initials in blue with red pen-flourishing. De pluralitate beneficiorum (ends

• Decorated initial 'I', at the beginning of the 'Orders to be holden by a General in the conquest of a towne or contrie, and likewise necessarie for to be understanded unto him having townes and contreis in chardge'., 'Orders to be holden by a General in the conquest of a towne or contrie, and likewise necessarie for to be understanded unto him having townes and contreis in chardge'

for to be understanded unto him having townes and contreis in chardge'. 1 large decorated initial, in colours and gold (f. 3). Space for large initial (f. 1). 'Orders to be holden by a General in the conquest of a

• Historiated initial 'B' of David playing his harp, at the beginning of the erased text of Psalm 1., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Detail of an historiated initial 'D' of David and the fool, at the beginning of the erased text of Psalm 52., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Historiated initial 'D'(ominus) of the Nativity of Christ, with the border containing the Annunciation, the Annunciation to the Shepherds, and the head of Christ and three animals, at the beginning of Psalm 26., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Decorated initial 'A'(d te) with a partial bar border., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Historiated initial 'D' of David and the fool, at the beginning of the ersed text of Psalm 52., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Decorated initial 'S'(alvum) with a partial bar border., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Historiated border with standing figures and historiated initial ('D')., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Historiated initial 'S'(alvum) of David in the water, praying to God, with a full border including heads of Christ and four saints, at the beginning of Psalm 68., Psalter fragments

Cotton Tiberius C XIII, ff. 1-1v;f. 31: Psalm 91, 12-92, 1, 92, 3-5, and 93 1-8, former Cotton Caligula A X, ff. 209, 1, 209v, 1v;f. 32: Psalm 93, 17-94, 1 and 94, 5-11, former Cotton Cleopatra D III, ff.

• Text page from Genesis., Bible

Volume one of two: vol. II is Royal MS 1 C VI.Quire signatures, instructions for rubricator. Puzzle initials in red and blue with pen-flourishing, 1 initial with two-sided pen-flourished border (f. 1). Small initials in red or blue. Running titles

• Detail of decorated initial 'U'., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

with a large initial in brown with interlace and foliage (f. 1). f. 221 is a paper leaf. Large diagrams of hands in brown ink (ff. 131v-134v, 169, 198). 1 large initial in red with blue and red penwork decoration

• Decorated panel with foliate scroll and geometric design, at the end of ~parashat mishpatim~ (Ex. 21:1-24:18)., Portions from the Exodus with Arabic translation and commentary

Decorated panel with foliate scroll and geometric design, at the end of ~parashat mishpatim~ (Ex. 21:1-24:18). Incomplete at the beginning, and several lacunae. Ruling is visible. Numerous decorated panels inserted into the body of the text, in colours and

• Decorated initial word ~Wa-yiqra~ (And [the Lord] called) in brown ink, at the beginning of Leviticus., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Miniature divided in two compartments: 1. Moses receiving the tablets of the law from God and Moses breaking the tablets of the law; and 2. The worship of the golden calf; with two foliate initials 'L'(e premier) and 'C'(hoses), at the beginning of the text of La somme le roi., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature divided in two compartments: 1. Moses receiving the tablets of the law from God and Moses breaking the tablets of the law; and 2. The worship of the golden calf, at the beginning of the text of La somme le roi., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Decorated initial 'A'(n) with pen-flourishing., Nova Statuta (index Statutes of England, Statuta Angliae), for 1-38 Edward III (ff. 1-77), and other legal texts, imperfect

red and blue with pen-flourishing in the same colours including foliate motifs extending into the borders on all sides (f. 1). Large initials in blue with red pen-flourishing including foliate motifs and flowers (ff. 5v (with face), 9, 12, 14v,

• Text page with title in rustic capitals., Retractatio de animae quantitate (index On the Size of the Soul) (ff. 1-32v); Paschalis operis (index Carmen paschale), libri 5 (ff. 33-70v), Commentary on the Apocalypse (ff. 71-84v)

Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate