• Detail of miniature depicting the women and maidens of Paris facing two dragons., Roman de Mélusine (ends imperfectly)

arms and three-sided column-wide foliate borders, in colours and gold (ff. 1, 17, 36, 43v, 56, 66v, 80v, 88v, 99, 113, 118v, 140v, 160v, 174, 190, 204v, 214v); 1 miniature probably excised after f. 7. Small initials (1-2 lines), paraphs

• Text page with title in rustic capitals., Retractatio de animae quantitate (index On the Size of the Soul) (ff. 1-32v); Paschalis operis (index Carmen paschale), libri 5 (ff. 33-70v), Commentary on the Apocalypse (ff. 71-84v)

Ganz, 'the hands show marked Tours influence especially in the half uncial.' Title in rustic capitials and 1 large initial in red (f. 1). Plain initials in black. Rubrics and abbreviations of protagonists' names in red. Retractatio de animae quantitate

• Part of a full foliate border, at the beginning of a Breviary., Ordinal, and noted Breviary, Use of Sarum (ff. 1-100), Metrologus de plana musica (ff. 100-117v), Offences which deserve excommunication (f. 118, fragment)

he was known as Lord Poynings.Musical notation. 1 large initial in gold on a ground in blue and red, incorporating heraldic arms, and a full foliate border, in colours and gold (f. 1). Small initials (2-3 lines) in gold with

• Puzzle initial 'H'., Opera

and blue (ff. 1, 32). Faint sketch in pen of a saint with halo (f. 1*). Rubrics and running titles with book numbers on versos and titles on rectos in red, throughout. Paraphs in red (ff. 1, 24v). Occasional guide-letters

• Diagram charting rainfall., Commentary on Cicero's De somno Scipionis

37, 40v, 43v (x2), 48v, 50v, 53v). 1 initial in red and green with penwork decoration (f. 1).1 initial in red (f. 41). 1 initial in brown with some red (f. 1). Simple initials in brown. Apart from the

• Diagram of a mappa mundi., Commentary on Cicero's De somno Scipionis

37, 40v, 43v (x2), 48v, 50v, 53v). 1 initial in red and green with penwork decoration (f. 1).1 initial in red (f. 41). 1 initial in brown with some red (f. 1). Simple initials in brown. Apart from the

• Large historiated initial in colours with a portrait of Priscian., Institutiones grammaticae, imperfect at the end

of Priscian. Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man

• Historiated initial in colours of a man seated with a book., Institutiones grammaticae, imperfect at the end

a book. Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man

• Miniature of Prudence writing at a desk, with pupils sitting in front of her, and a foliate initial 'C'(es), at the beginning of the rubric 'De la vertu de prudence'., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu datrempance', and a miniature of a personification of Fortitude holding a disk with a lion, and a foliate initial 'L'(a vertu), at the beginning of the rubric 'De la vertu de force'., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Miniature of the Apostles composing the creed., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of Prudence writing at a desk, with pupils sitting in front of her., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of a man and a women at a table with a man drinking from a cup, illustrating the virtue of temperence., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of a personification of Fortitude holding a disk with a lion., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Detail of a miniature of the Seven-headed beast trampling on a saint., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Miniature of the Seven-headed beast trampling on a saint., La somme le roi, with Gospels and the Complainte de Notre Dame

de France, fr. 241) (quires 2, 4-8, 10, 12, 13, 15, 18, 21, 26, 28).Catchwords and bifolium signatures. 1 large (f. 1) and 23 one-column miniatures in colours and gold, at the beginning of books (ff. 3v, 5, 16v, 26v,

• Historiated initial 'V'(enerabilibus) of Guido de Baysio presenting his book to the pope Boniface VIII, with a partial border, at the beginning of Guido de Baysio's Apparatus ad Sextum., Apparatus ad Sextum; De regulis iuris; Liber sextus Decretalium with the glossa ordinaria; Apparatus ad Sextum

for rubrics. 1 miniature in colours and gold, at the beginning of Liber sextus (f. 161). 2 historiated initials in colours and gold (ff. 1, 299), and 9 initials in colours and gold with pope's heads (ff. 1, 82, 112,

• Miniature of the pope Boniface VIII giving the book to two clerics, at the beginning of Liber sextus., Apparatus ad Sextum; De regulis iuris; Liber sextus Decretalium with the glossa ordinaria; Apparatus ad Sextum

for rubrics. 1 miniature in colours and gold, at the beginning of Liber sextus (f. 161). 2 historiated initials in colours and gold (ff. 1, 299), and 9 initials in colours and gold with pope's heads (ff. 1, 82, 112,

• Decorated initial 'S' (epe et multum) at the beginning of Cicero's De inventione, Book I, with ownership inscriptions for Thomas Cranmer (Thomas Cantuarien[sis]) and Lumley., De inventione (index Rhetorica)

ownership inscriptions for Thomas Cranmer (Thomas Cantuarien[sis]) and Lumley. 1 large puzzle initial in red, blue, green, and yellow with foliate motifs, at the beginning of the first book (f. 1).1 large initial in blue with red and blue