• Historiated initial 'I' of Elimelech and Naomi with her children, at the beginning of Ruth., Bible (Octateuch)

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

• Detail of an historiated initial 'I' of Elimelech and Naomi with her children, at the beginning of Ruth., Bible (Octateuch)

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

• Historiated initial 'H'(ec) of Moses and the Israelites, at the beginning of Exodus., Bible (Octateuch)

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

• Detail of an historiated initial 'H'(ec) of Moses and the Israelites, at the beginning of Exodus., Bible (Octateuch)

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

• Text page of Leviticus 18: 16, reading 'Et uxorem fratris sui nullus accipet' ('Nobody may marry his brother's wife') marked by a manicule in the margin., Bible (Octateuch)

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Decorated initial., Lives of saints, and an Irish translation of Innocent III's De contemptu mundi

initial. f. 1 is a parchment flyleaf.Unfoliated paper leaves after ff. 7, 13, 21, 33, 41, 56, 57).Detailed descrition of the manuscript in Flower. Large initials in brown with penwork decoration, many with interlace. Small initials in brown. Spaces left

• Initial with foliate decoration., Psalter, imperfect, including Odes (ff. 219v-232v)

chaplain to the Levant Company at Constantinople, 1670-1676, and later Master of Christ's College, Cambridge: his manuscript no. 49 (f. 1; see Wright 1972); his notes (ff. Ii, iii); sold, together with Covel's other manuscripts, to Edward Harley for £300

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Decorated initial 'A' with a dragon and foliage., Gradual (the Temporale and Sanctorale combined)

neumes. Large initial in colours with a dragon and foliage (f. 1). Large initial in red with green penwork decoration (f. 33). Large initials in red, green, or brown. Small initials in red or brown. Highlighting of letters in red

• Decorated initials., Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v)

Decorated initials. ff. 1-2 are parchment flyleaves. Large initials in red, some with penwork decoration. Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v) The Fugger family: inscription 'Ex Bibliotheca

• Decorated initial 'V'(itam)., Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v)

Decorated initial 'V'(itam). ff. 1-2 are parchment flyleaves. Large initials in red, some with penwork decoration. Chronicle, imperfect; De gestis Ludouici imperatoris; Life of Charlemagne (ff. 94-105); Prophecy of the tenth sibyl (ff. 106-109v) The Fugger family: inscription 'Ex

• Diagrams showing men and animals going around the earth and meeting on the other side., L'image du monde

and meeting on the other side. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth,

• Ink diagram of a game entitled 'la fourme de la table rounde'., L'image du monde

de la table rounde'. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth, the first

• Ink diagram of day and night., L'image du monde

night. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth, the first two with men

• Full foliate border at Deuteronomy 32., Bible with ~masorah~ ('First Ibn Merwas Bible')

Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184), the

• Full foliate border at Deuteronomy 32., Bible with ~masorah~ ('First Ibn Merwas Bible')

Full foliate border at Deuteronomy 32. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184), the

• Full-page miniature of the Temple implements., Bible with ~masorah~ ('First Ibn Merwas Bible')

Full-page miniature of the Temple implements. f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the Pentateuch (f. 99).In the colophon (f. 184), the

• Text page with large and small initials and rubric., L'image du monde

initials and rubric. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the earth, the first two