• Detail of a miniature of Paul preaching., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of Paul preaching, and Hebrews standing., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of Luke preaching., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of James reading., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of Peter, with a key and a book., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of John asleep, with a cup, and behind him, a lion-like beast with crowned horns., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of John with an eagle, his symbol., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of a miniature of God enthroned holding a globe with two angels supporting a papal tiara above him, and four Evangelists writing on scrolls with their symbols, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Detail of two scenes in the bas-de-page: Samson with the gates of Gaza and Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Text page with coloured and illuminated initials., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial borders, at the beginning of books

• Coloured initials at the beginning of Psalm 61; text in Greek, Latin and Arabic., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Coloured initial at the beginning of Psalm 87., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Coloured initials., Trilingual Psalter

of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red (f. 1, 99v). Large and small initials in red, some with penwork decoration, one with a face (f. 158). Trilingual Psalter

• Headpiece with geometric and foliate decoration., Sabaitic typicon, imperfect, including a fragment of the 'Vision of Constantine' (ff. 1-1v)

Headpiece with geometric and foliate decoration. The manuscript includes liturgical instructions and chants for Sundays. It is imperfect at the end.The leaf containing the fragment of the 'Vision of Constantine' comes from a larger manuscript and is bound at

• Decorated initial 'P'(er)., Cathemerinon (index The Daily Round)

Decorated initial 'P'(er). A fragment of the spine from a previous binding of gold-tooled brown leather is pasted inside the front cover. Initials in various colours with foliate decoration, some large, some mid-size. Initials in blue with red pen-flourishing

• Illuminated white vine initial 'G'(loriosissimam) at the beginning of Augustine's first book of the City of God., De civitate dei (index City of God)

and 22, Additional 16983, the first three having the inscription ‘Vale Gaspar’; King's 18 is dated 1464. Title page (f. 1) and end page (f. 315v) of capitals in alternating colours; a full border of white vine scroll with the

• Initial 'Q'(uae), and 'I'(erarchia) in blue, red, and green with penwork decoration, in Hugh of Saint Victor's Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy., Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy

Initial 'Q'(uae), and 'I'(erarchia) in blue, red, and green with penwork decoration, in Hugh of Saint Victor's Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy. ff. 107 and 108 watermarked with an image of Britannia? in an oval medallion topped

• Initial 'H'(actenus) in blue, red, and green with penwork decoration, in Hugh of Saint Victor's Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy., Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy

Initial 'H'(actenus) in blue, red, and green with penwork decoration, in Hugh of Saint Victor's Commentary on Pseudo-Dionysius the Areopagite's Celestial Hierarchy. ff. 107 and 108 watermarked with an image of Britannia? in an oval medallion topped by a

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),