• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

he gave 13 leaves to the Ruskin School of Fine Art in Oxford, now Oxford, Bodleian Library, MS. Dep. a. 1 (ff. 31c, 32a, 38a, 47a, 47b, 70a (sic! cited after Cockerell 1905; f. 70a reinserted in Y. Th. 27),

• Text page with decorated initials 'S'(anctissimo) and 'R'(omanorum) at the beginning of the ~Flores cronicorum~., Various tracts including Flores cronicorum, Arbor genealogiae regum Francorum, de comitibus Tholosanis, de temporibus et annis generalium et particularium conciliorum, de officio Missae, de nominibus apostolorum et 72 discipulis, de articulis fidei, 7 sacrementis, and decalogo (the last is imperfect)

kings of France (ff. 112v-127). 12 large decorated initials in colours and gold with bar extensions and rinceaux motifs (ff. 1, 6 (x 2), 72, 82, 112, 128, 130v, 139, 141v, 142v, 150). Smaller initials in blue with red penwork

• Genealogical miniatures of various French kings and a queen at the beginning of the ~Arbor genealogiae regum Francorum~., Various tracts including Flores cronicorum, Arbor genealogiae regum Francorum, de comitibus Tholosanis, de temporibus et annis generalium et particularium conciliorum, de officio Missae, de nominibus apostolorum et 72 discipulis, de articulis fidei, 7 sacrementis, and decalogo (the last is imperfect)

kings of France (ff. 112v-127). 12 large decorated initials in colours and gold with bar extensions and rinceaux motifs (ff. 1, 6 (x 2), 72, 82, 112, 128, 130v, 139, 141v, 142v, 150). Smaller initials in blue with red penwork

• Partial border with decorated initials 'Y' and 'T'., New Testament: Romans to Jude

initials 'Y' and 'T'. f. 1 is a parchment leaf pasted to a paper one.Quire signatures in Latin letters. Partial gold foliate borders with 56 initials in gold on blue and red grounds (ff. 4 (x 2), 7, 41v, 74,

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Flyleaf, verso side., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Carpet pages., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a line filler., Fragments from Exodus (1:1-8:5)

brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script and a foliate scroll as line filler., Fragments from Exodus (1:1-8:5)

and brown (ff. 2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Textual illustration of a menorah with explanatory captions, in brown ink., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Diagram of the Holy Land., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch

• Detail of a page: drawing of a menorah with explanatory captions., Commentary on the Pentateuch with the ~Haftarot~ (ff. 1-240) on the Five Scrolls (~Hamesh megillot~; ff. 240v-270), and on the ~Haftarot~ for festivals (ff. 270-287v)

Parallel Hebrew foliation (ff. 1-70). 1 textual illustration, in brown ink (f. 101), 2 diagrams of the Holy Land (ff. 198-199), 2 decorated initial words, in brown ink (ff. 1, 126), 1 marginal illustration (f. 1). Commentary on the Pentateuch