• null, Les Chroniques d'Angleterre (3 vols)

grounds. Cadels. Vol. II: 5 miniatures have been cut out (ff. 1, 28, 62v, 83v, 140v). 1 large initial in gold, incorporating heraldic arms on a red ground (f. 1). Smaller and small initials in gold on red and blue

• Detail of white vine initial 'Q'(uam) at the beginning of De officiis., De officiis

Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured initials in alternating red or blue. De officiis Part 1 written

• Initial B(ENIST) with anthropomorphic and zoomorphic features and interlace decoration, and coloured drawings of a cock and a plant., A collection of French 'airs de cour'

century: his inscription dated 1664 (f. 62v).Louis Villette, 17th century: his inscription (f. 1).Robert Rougeolle, 17th century: his inscriptions (ff. 1, 62v) and list of previous owners (f. 63v).Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed by Edward Harley

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• Illuminated border and Initial 'N'(octiam) with an unfinished drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife, and on the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

a quadruped (dragon?). 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border and an unfinished drawing in the historiated initial of a seated man writing (f. 2v). 1 three-sided foliate

• null, Les Chroniques d'Angleterre (3 vols)

grounds. Cadels. Vol. II: 5 miniatures have been cut out (ff. 1, 28, 62v, 83v, 140v). 1 large initial in gold, incorporating heraldic arms on a red ground (f. 1). Smaller and small initials in gold on red and blue

• Detail of a miniature of Anthony being tormented by demons, with an historiated initial 'A'(nthoine) of Anthony being blessed by another saint, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

of vols 1 and 2); his sale, 31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to

• Puzzle initial., Livre de Sydrac (index Book of Sydrac; Book of Sidrac; La Fontaine de toutes sciences; Le Tresor des sciences; Le Roman du philosophe Sydrac)

half empty and only framed in blue with gold corners (f. 3). 1 large and 2 smaller decorated initials including heraldic arms, in colours and gold (f. 19). 1 large puzzle initial in red and blue with pen-flourishing in blue

• Decorated initials., Livre de Sydrac (index Book of Sydrac; Book of Sidrac; La Fontaine de toutes sciences; Le Tresor des sciences; Le Roman du philosophe Sydrac)

half empty and only framed in blue with gold corners (f. 3). 1 large and 2 smaller decorated initials including heraldic arms, in colours and gold (f. 19). 1 large puzzle initial in red and blue with pen-flourishing in blue

• Illuminated initial 'E'(go) and a full border with the arms probably of the Del Drago family of Rome, at the beginning of Cicero's Epistolae ad familiares., Epistolae ad familiares

Del Drago family of Rome, at the beginning of Cicero's Epistolae ad familiares. 1 large decorated initial and a full decorated border, in colours and gold (f. 1). Large puzzle initials in red and blue with pen-flourishing in blue and

• Flourished puzzle initial 'F'(inem) at the beginning of Cicero's Epistolae ad familiares, book 12., Epistolae ad familiares

puzzle initial 'F'(inem) at the beginning of Cicero's Epistolae ad familiares, book 12. 1 large decorated initial and a full decorated border, in colours and gold (f. 1). Large puzzle initials in red and blue with pen-flourishing in blue and

• Initial 'Q'(uintus) with pen-flourishing, at the beginning of Cicero's De amicitia., De amicitia

Initial 'Q'(uintus) with pen-flourishing, at the beginning of Cicero's De amicitia. 1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the