• Detail of a miniature of an angel standing on the sun and calling all birds to eat the flesh of men (the birds include a peacock, a hawk, a raven, a dove, a cockerel, a pelican, and an owl), from Revelation 19:17-18., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of an angel casting the beast and the false prophet into the lake of fire, from Revelation 19:20-21., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Illuminated initial 'A'(ctum) with a partial bar border, at the beginning of book 10., Commentary on Unum ex quatuor

and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]

• Detail of a miniature of Charles V of France receiving the book from the author, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One. Decoration extends into a partial border. Instructions to the artist are found at the lower part of the folio., Old Testament (index Bible)

red, blue and gold, for major text divisions (ff. 1, 30, 53v, 71, 93, 116, 130, 149v, 152v, 178v, 203, 229v, 255, 274v, 289, 296v, 307v, 311, 319, 329, 339, 370v); 1 (large?) miniature missing before f. 2. Decorated initials

• Miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text. Contains

• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Initial 'N'(ow) with pen-flourished decoration., 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of oure Lorde' (ff. 84-91v); King Robert's romance in couplets (ff. 92-95)

with penwork decoration in purple (ff. 1, 20v, 57, 63, 75). Initials in blue with pen-flourished decoration in red. Rubrics and marking of verse couplets in red. Initials highlighted in red. 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of

• Historiated initial 'R'(egnante) with Christ and a dragon., Excerpts from the Textus Roffensis (facsimile on parchment)

Rochester; bearing the date 4 kal. Maias, indictione 7 (see Harley Catalogue). 1 large hisitoriated initial 'R'(egnante) with Christ and a dragon. Display script in various colours (ff. 1, 8). Large plain initials in various colours (ff. 2, 4v, 6).

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Illuminated initial 'P'(ost) with a partial border, at the beginning of book 5., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• Detail of an angel holding a scroll with a catchword., Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and

• null, Commentary on Unum ex quatuor

with a marked change on f. 195.Catchwords and bifolium signatures. 8 foliate initials in colours and gold, with full (f. 1) or partial foliate borders (ff. 45v, 70v, 73v, 82v, 99v, 144v, 189), at the beginning of the prologue and