• Detail of an illuminated initial 'Q'(ui)., Epistre au roi Richart (Letter to King Richard II)

St. Geneviève 1028.Catchwords and bifolium signatures. 1 full page and 1 two-column miniature in colours and gold, with full bar borders with foliate extensions, at the beginning of the text (ff. 1v, 2). 1 one-column miniature in colours and gold

• Illuminated initial 'S'(elonc)., Epistre au roi Richart (Letter to King Richard II)

St. Geneviève 1028.Catchwords and bifolium signatures. 1 full page and 1 two-column miniature in colours and gold, with full bar borders with foliate extensions, at the beginning of the text (ff. 1v, 2). 1 one-column miniature in colours and gold

• Detail of an illuminated initial 'T'(res)., Epistre au roi Richart (Letter to King Richard II)

St. Geneviève 1028.Catchwords and bifolium signatures. 1 full page and 1 two-column miniature in colours and gold, with full bar borders with foliate extensions, at the beginning of the text (ff. 1v, 2). 1 one-column miniature in colours and gold

• Illuminated initial 'T'(res), with a partial bar border., Epistre au roi Richart (Letter to King Richard II)

St. Geneviève 1028.Catchwords and bifolium signatures. 1 full page and 1 two-column miniature in colours and gold, with full bar borders with foliate extensions, at the beginning of the text (ff. 1v, 2). 1 one-column miniature in colours and gold

• Illuminated initial 'T'(res), with a partial bar border., Epistre au roi Richart (Letter to King Richard II)

St. Geneviève 1028.Catchwords and bifolium signatures. 1 full page and 1 two-column miniature in colours and gold, with full bar borders with foliate extensions, at the beginning of the text (ff. 1v, 2). 1 one-column miniature in colours and gold

• Detail of a miniature of several episodes from book IV of Virgil's Aeneid: on the right, the hunt during which Dido and Aeneas meet; on the left, Dido and Aeneas ride into a cave together, and in the middle of the image, Dido is on her funeral pyre, committing suicide after the departure of Aeneas.and decorated initial 'A'(t)., Bucolica (index Bucolics, Eclogues)(ff. 1-16v); Georgica (index Georgics)(ff. 17-58), with argumenta; Aeneis (index Aeneid)(ff. 58v-244v), with argumenta and verse preface, omitting 2:567-588 ('The King's Virgil')

cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at the beginning of texts or books (ff. 1, 17, 26v-27 [miniature f. 26v, accompanying border f. 27], 37, 47v, 59, 73v, 88, 101v, 115, 131v, 148v, 164,

• Medallion containing the zodiacal sign for Virgo and men making barrels, at the page for August in the Calendar., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• Miniature of the presentation of the Virgin in the Temple, and historiated initial 'A'(d) with the Virgin as Woman of the Apocalypse, and full all'antica borders, with martyred saints in the corners, at the beginning of the Gradual Psalms; at the bottom, the arms of the Medici and the Salviati have been obliterated with gold., Book of Hours ('The Hours of Laudomia de' Medici')

for or after her marriage to Francesco Salviati in 1502: their arms, partly obliterated with gold (not obliterated on ff. 1, 20v, 31, 36v, 39v, 44v, 82, and 117v); the initials of Laudomia de' Medici and Francesco Salviati (ff. 33v,

• null, De bello Judaico

the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue, with red and blue pen-flourishing, at the beginning of Books 2-7 (ff. 42, 72, 90, 100v, 112, 132v). De bello Judaico

• null, De bello Judaico

the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue, with red and blue pen-flourishing, at the beginning of Books 2-7 (ff. 42, 72, 90, 100v, 112, 132v). De bello Judaico

• Illuminated initial 'A'(ctum) with a partial bar border, at the beginning of book 10., Commentary on Unum ex quatuor

and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]

• Detail of a miniature of Charles V of France receiving the book from the author, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text. Contains

• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Text page with a marginal note by Humfrey, duke of Gloucester., De administratione principium (Le livre de l'information des princes)

of Gloucester. Catchwords and bifolium signatures. Numerous pointing hand (maniculae). 1 miniature in colours and gold of a king enthroned in council, with a full border and a foliate initial in colours and gold, at the beginning of the prologue

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of