• Zoomorphic initial 'P'(ompelus) with three quadrupeds., Chronographia tripertita, with preface

is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,

• Decorated initials 'C'(um) and 'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions., Epitome historiarum Pompeii Trogi

'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions. 1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome

• Decorated initial 'A'(ltus) at the beginning of a short preface to Terence's Andria, executed in red ink with a brown ink geometric pattern in the bowl., Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

Andria, executed in red ink with a brown ink geometric pattern in the bowl. 1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi,

• Miniature of a horned Moses receiving the tablets of the Law from the hand of God, illuminated initial 'pi' (prosecete), and foliate border at the beginning of Psalm 77., Psalter (ff. 3-186v); Odes 1-9 (ff. 186v-203); Horologion (ff. 204-221); Canon to the Virgin (ff. 221v-225v); Great canon for the evening office (ff. 226-270)

century with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v);

• Illuminated white vine initials 'A'(ntoni) and 'V'(xoris); guide-letters in the left margin; a catchword in the lower margin., Partenopeius

Hoepli, 1952). 1 miniature, in colours and gold, occupying the space left for a large initial, accompanied by a full inhabited border, with putti, birds, animals, etc., and heraldic arms and devices, in colours and gold (f. 1). Small white

• Illuminated interlace initial 'E'(go), at the beginning of Cicero's Epistolae ad familiares, Book 1, Epistolae ad familiares

Epistolae ad familiares, Book 1 The decoration is typically Veronese according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.The inserted first leaf has an Easter table, covering 1480-1831 (f. 1)1 large interlace initial,

• Historiated initial 'N'(on) depicting crowned emperor(?) holding a gold staff/sceptre at the beginning of Cornelius Nepos's Liber de excellentibus ducibus exterarum Gentium; the lower margin with arms party per fess, ~gules~ and ~vert~, a letter 'B' ~or~, the shield depicted as if hanging from a hook., Liber de excellentibus ducibus exterarum Gentium

a letter 'B' ~or~, the shield depicted as if hanging from a hook. 1 large historiated initial, in colours and gold (f. 1). Heraldic arms (f. 1). Small initials alternately gold with blue penwork decoration or pen-flourishing, or blue with

• Illuminated initial 'A'(nte) and the arms of the Gonzaga family, at the beginning of Cicero's Philippica., Philippica, omitting 5.12-6.6

as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both

• Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine., The Life of Catherine (ff. 1-117v), etc.

Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine. 1 large initial in red with pen-flourishing in brown (f. 1). Smaller initials in plain red. Capital letters highlighted in red. The Life of Catherine (ff. 1-117v),

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

3-sided white vine border, in colours and gold (f. 1). 11 large white vine initials, in colours and gold, at the beginning of the prologue and of the 10 books (ff. 1, 2, 16v, 33v, 49, 54, 63v, 81v, 95v,

• Illuminated initial 'O'(ratius), and partial foliate border, at the beginning of Pseudo Acro's Commentaries on Horace., Commentaries on Horace (ff. 1-180v and ff. 181-183)

and partial foliate border, at the beginning of Pseudo Acro's Commentaries on Horace. 1 large illuminated initial with a partial foliate border, in colours and gold (f. 1). Small initials in red or blue, with purple pen-flourishing. Commentaries on Horace

• Decorated initial with a deer and satyr holding a cup., Astronomical miscellany

holding a cup. Musical notation. 1 bas-de page image of two animals and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and

• Detail of illuminated initial., Philippica, omitting 5.12-6.6

as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both

• Detail of illuminated initial., Philippica, omitting 5.12-6.6

as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both

• Detail of heraldry., Philippica, omitting 5.12-6.6

as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both

• null, Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-65); In Ciceronis libros de inventione (ff. 65-67)

Francisci Maturantij’ and 'Est mon(aster)ij S. Petri de Perusio sig. N^o^. 91' (f. 1, both partially erased); 'Simo(n) franc(iscus) not(ariu)s mo(naste)rij S(an)c(t)i petri', 16th century (f. 1); 'S. Petri de Perusio', 17th century (f. 18v); cf. Burney 88 and 96.Charles

• null, Epitome historiarum Pompeii Trogi

1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome historiarum Pompeii Trogi Annotated in humanistic hands, occasionally in Greek, second half of the 15th

• null, Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment)

1 large red initial decorated with black ink in the bowl (f. 1). Other large and small mostly very plain red initials. Andria, Eunuchus, Heautontimorumenos, Adelphi, Hecyra (fragment) Formerly bound with Burney 137, 272, and 352, which have similar

• null, Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-65); In Ciceronis libros de inventione (ff. 65-67)

Francisci Maturantij’ and 'Est mon(aster)ij S. Petri de Perusio sig. N^o^. 91' (f. 1, both partially erased); 'Simo(n) franc(iscus) not(ariu)s mo(naste)rij S(an)c(t)i petri', 16th century (f. 1); 'S. Petri de Perusio', 17th century (f. 18v); cf. Burney 88 and 96.Charles

• Detail of illuminated initials., Partenopeius

Hoepli, 1952). 1 miniature, in colours and gold, occupying the space left for a large initial, accompanied by a full inhabited border, with putti, birds, animals, etc., and heraldic arms and devices, in colours and gold (f. 1). Small white