• Detail of an illuminated initial 'S'(atis) with a marginal extension forming a partial border containing hybrids, at the beginning of the De humanitate Verbi contra gentes of Athanasius., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Text page., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Illuminated initial 'P'(auli) with a hybrid and a mask., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Ownership inscriptions of Humfrey, duke of Gloucester, reading 'Cest livre est a moy Homfrey duc de / Gloucestre le quel Jay fait translater / de grec en latyn par Antoyne de Becaria / Veroneys mon serviteur.', Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Illuminated Initial 'R'(erum) with a dragon, and hybrid holding a kettle and a sword, at the beginning of the Contra gentes of Athanasius., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Illuminated initial 'S'(atis) with a marginal extension forming a partial border containing hybrids, at the beginning of the De humanitate Verbi contra gentes of Athanasius., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Illuminated initial 'C'(um), with hybrids and human heads., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Colophon of Antonio Beccaria of Verona, reading 'Athanasii viri sanctissimi de unitate substantiae deitatis / dialogus ex Graeco in Latinu[m] conversus per Antonium / Becariam Veronesem ad serenissimu[m] principem d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer., Theological treatises

colours and gold with grotesques and marginal extensions forming partial borders, at the beginning of the four first treatises (ff. 1, 32, 66v, 70). Space left for initials, at the beginning of other major divisions (ff. 92, 93, 101v, 103v,

• Decorated initial 'U'(trum) with acanthus leaf and ivy tendrils at the beginning of the text., Orator

Added text: late 15th century, prior to 1477 (f. 69).Renaud de Chauvigny de Blot, abbot of La Chaise-Dieu 1465-1491: until 1 August 1477, when it was given to the abbey, inscription recording the gift 'Reverendissimus ?ihesu christo pat[er] et dominus

• Text page., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• Text page., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• Decorated initial 'E'(t) at the beginning of the prologue. Partly defaced coat of arms of the Schioppo family of Verona in the margin., De bello Italico adversus Gotos

Rosa 1993).No watermarks.The two added texts (ff. 1v and 86) also feature in Bryn Mawr College Library, MS 43. f. 1 is a parchment flyleaf.Catchwords. 5 large gold initials on a blue or dark red panel (ff. 2, 3v, 28v,

• White vine initial 'N'(on) and border. Added 17th-century ownership inscription by Antoninus Martius Medice in the lower margin., Various works including De nobilitate vera (ff. 2-29), a letter of Carlo Aretino to Poggio (ff. 33-35), etc.

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘29 die Octobris, A.D. 1722’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Coloured drawing of an English king in armour and tabard (William II), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (William II), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Henry I), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Henry I), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Stephen), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Stephen), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as

• Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Henry II), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Richard I), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Richard I), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (King John), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (King John), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known

• Coloured drawing of an English king in armour and tabard (Henry III), presenting a plaque with verses. Unfinished., Anonymous verses on the kings of England, to Henry VI, unfinished (manuscript also known as Sir Thomas Holme's Book of Arms) (index Heraldry)

Coloured drawing of an English king in armour and tabard (Henry III), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known