• Detail of the arms of Ludovicus Petronius, of Siena, in the lower border., Leonardo Bruni Aretino, De bello italico adversus Gotos (ff. 1-54); Elegies and funeral tributes to Leonardo Bruni by various authors (ff. 54v-74v)

colours, with the foliate stems extending into the margins, and a coat of arms surrounded by white vine decoration (f. 1). 8 large initials in gold (ff. 1v, 2v, 18, 29v, 43, 54v, 67, 72, 74v). Leonardo Bruni Aretino, De

• Decorated initial 'D'(omine) with foliate borders., Missal, Augustinian use

into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and

• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

into three-sided foliate borders, sketched in brown ink, unfinished (ff. 30, 31). 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 19). 1 large initial in green with foliate penwork decoration in red and

• Illuminated intial 'A'(rma) and foliate bar border., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Illuminated initial 'O'(ceanu)., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Text page with colophon of Franciscus de Camuciis supplied by Bartolomeo Sanvito in epigraphic captials., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• White vine initials 'R'(em) and 'L'(eonardus) at the beginning of the prefatory texts, with the arms of Ludovicus Petronius, of Siena, in the lower border., Leonardo Bruni Aretino, De bello italico adversus Gotos (ff. 1-54); Elegies and funeral tributes to Leonardo Bruni by various authors (ff. 54v-74v)

colours, with the foliate stems extending into the margins, and a coat of arms surrounded by white vine decoration (f. 1). 8 large initials in gold (ff. 1v, 2v, 18, 29v, 43, 54v, 67, 72, 74v). Leonardo Bruni Aretino, De

• Puzzle initial 'P'(romissiones) with pen-flourishing at the beginning of book 17 in Augustine's De civitate dei. A 13th-century hand has corrected the capitula list in the lower margin., De Civitate Dei (index City of God)(ff. 3-177v); De trinitate (ff. 179-244v)

178).Inscribed 14th or 15th century 'honores de ferra [?ferri] ppe dicu[n]t[ur]' (on a small piece of parchment pasted onto f. 1 bearing only these words).Thomas Dryffield (d. 1513), scholar of Winchester College in 1459 and fellow of New College Oxford

• Detail of Illuminated initial 'O'., Aeneid (index Aeneis), with Pseudo-Ovid (prologues)

are visible on the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin,

• Text page with calligraphic initials., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Priam and his court mourning over the body of Hector., Testament and The reignes of the kyngis of England, A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Decorated initial 'B'(eatus) with animal heads and figures at the beginning of Psalm 1., Psalter, with litany and additional prayers and canticles

with animal heads and figures at the beginning of Psalm 1. Calendar includes 'Herhardi episcopi' (10 January); 'Eulalie virginis' (4 February) and 'Eulalii episcopi' (23 February); Waldpurge (27 February and 1 May); Winibald (7 July, highlighted); Xixti (6 August and

• Detail of an inserted miniature of a kneeling pilgrim, accompanied by a monk, presenting a book to a standing knight in armour. A later inscription on the facing folio identifies the monk as John Lydgate, and the knight as the Earl of Salisbury, to whom Lydgate's 'The Pilgrimage of the Life of Man' was dedicated. The figure of the monk may represent either Lydgate (d. c. 1450), a Benedictine monk at the abbey of Bury St Edwards, Suffolk, or Deguileville (d. c. 1358), a Cistercian at the abbey of Chalis in Valois, and the earl of Salisbury, Thomas Montague (d. 1428) may be the figure in armour (see Scott 1996, p. 305)., Lives of St Edmund and St Fremund (ff. 4-46); Secrees of Old Philisoffres (ff. 52-81); Regiment of Princes (ff. 84-144v); imperfect

of the text.Inserted paper leaves with title pages and text in English (ff. 1, 51, 82-83). f. 1* is a piece of parchment bound after f. 1 with, on one side a pen & brown ink wash faintly tinted in

• Miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux wearing clothes decorated with their coats of arms, kneeling before him, with a full border with a scroll inscribed with William Herbert's and his wife's mottos reading 'e las sy longuement', and 'De toute'; a foliate initials 'O'(mighty), at the beginning of the Troy Book; and the arms of William Herbert and Anne Devereux with mottos, between the column of the text., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of a king enthroned surrounded by courtiers with Sir William Herbert and his wife, Anne Devereux kneeling before him, wearing clothes decorated with their coats of arms., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of the Wheel of Fortune with a king on the top, with a partial border and a foliate initial 'T'(henvyons), at the beginning of book 2., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Hector slaying Patroculus., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Agamemnon at council in his tent, with Achilles in bed behind, Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Detail of a miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or

• Miniature of Ajax complaining to Agamemnon, while behind, the Greeks are preparing for departure., Troy Book (ff. 6-146); Siege of Thebes (ff. 147v-162)

campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or